British Crime Film by Barry Forshaw

British Crime Film by Barry Forshaw

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Summary

Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day "Mockney" productions, it contextualizes the films and identifies important and neglected works.

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British Crime Film by Barry Forshaw

Reading the Animal in the Literature of the British Raj explores representations of animals during British rule in India-the tigers, elephants, boars, furs, and feathers that sometimes all but obscured the human beneath and behind them, and that were integral in the creation and maintenance of the hierarchies of colonialism. The book exists on two levels: one offers a sophisticated view of how power and oppression work within constellations of species, race, class, gender, and nationhood, and the other is a deeply suggestive meditation on our humanness and how we locate it within a spectrum of relations. Drawing on a range of texts including hunting narratives, stories, poetry, novels, photographs, journals, paintings, and cartoons, the argument builds with a lucid and beautifully unobtrusive feel for the telling example.

'In this excellent book on the British crime movie, a follow-up to his valuable studies of English-language and Scandinavian crime fiction, Forshaw interrogates the usual suspects, discovers many neglected pictures, and places them all in a larger social contextIt's a work to read for pleasure and instruction, and then to keep on the reference shelf.'

- Philip French, The Observer

'Crime fiction in films and literature is my meat. So Barry Forshaw's terrific book not only rekindled memories of films seen but provided clues to others yet to be revelled in. This rave has nothing to do with getting an honourable mention.'

- Mike Hodges, Director, Get Carter

'An incredible work; so thorough, so informed and at the same time so very readable and entertaining.'

- Peter James, Chair, Crime Writers' Association

'This book provides a much-needed shot in the arm for writing on British crime film. The colourful case-studies draw out the political complexities of this stalwart genre, opening up the films in insightful and often revisionary readings. Calling upon his compendious knowledge of the subject and injecting wit into his precise prose, Forshaw reinvigorates the field.'

- Steven Peacock, Reader in Film and Television Aesthetics, Programme Coordinator MA Film and Television Aesthetics, University of Hertfordshire, UK

'Barry Forshaw has penetrated the locked-room mystery of the British crime film and brought it to book ... the verdict is "outstanding".'

- Kim Newman, Author, Nightmare Movies

'Destined to become an essential volume on any self-respecting cinephile's bookshelf. Forshaw is bang-on about the British crime films you already know, but (even more importantly) makes you eager to track down and watch the lesser-known gems you haven't seen.'

- Anne Billson, The Guardian

Brit Noir, Euro Noir, Nordic Noir, The Rough Guide to Crime Fiction, and The Man Who Left Too Soon are among Barry Forshaw's works. He is the former Vice Chair of the Crime Writers' Association and the editor of Crime Time.

SKU Unavailable
ISBN 13 9781137005038
ISBN 10 1137005033
Title British Crime Film
Author Barry Forshaw
Series Crime Files
Condition Unavailable
Binding Type Paperback
Publisher Palgrave Macmillan
Year published 2012-09-20
Number of pages 248
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.