
French and American Noir by Alistair Rolls
A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception, examining the complexity of this trans-Atlantic exchange and refocusing debate to include a Franco-French lineage.-
Agatha Christie on Screen
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From Agatha Christie to Ruth Rendell
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American Gangster Cinema
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British Detective Fiction 18911901
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A Narratological Approach to Lists in Detective Fiction
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Death in a Cold Climate
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Epistemology and Secrecy in John Banville’s Crime Fiction
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Stolen Goods in British Detective Fiction
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Irish Crime Fiction
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Middlebrow Feminism in Classic British Detective Fiction
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Agatha Christie: Power and Illusion
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Narratives of Enclosure in Detective Fiction
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Ocular Proof and the Spectacled Detective in British Crime Fiction
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The American Thriller
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A Counter-History of Crime Fiction
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Masculinity, Crime and Self-Defence in Victorian Literature
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Investigating Crime in a Time of War
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Female Corpses in Crime Fiction
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Hollywood's Detectives
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Detective Fiction and the Problem of Knowledge
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The Detective's Companion in Crime Fiction
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American TV Detective Dramas
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The Postcolonial Detective
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Crime, Fear and the Law in True Crime Stories
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Women Writers and Detectives in Nineteenth-Century Crime Fiction
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Truth to Post-Truth in American Detective Fiction
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Contemporary American Crime Fiction
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Jack the Ripper in Film and Culture
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Criminal Femmes Fatales in American Hardboiled Crime Fiction
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100 American Crime Writers
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Transnational Crime Fiction
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The Contemporary Irish Detective Novel
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Burial Plots in British Detective Fiction
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The Noir Thriller
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Crime Fiction and the Holocaust
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Dime Novels and the Roots of American Detective Fiction
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Serial Crime Fiction
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The English Crime Play in the Twentieth Century
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British Murder Mysteries, 1880-1965
ALISTAIR ROLLS is a Senior Lecturer at the University of Newcastle, Australia, where he teaches French. His research is in the area of twentieth-century French literature, with particular emphasis on the immediate post-war era. He has published works on Boris Vian, Jean-Paul Sartre and French detective fiction.
DEBORAH WALKER is Senior Lecturer in French at the University of Auckland, Aotearoa New Zealand. Her research is in French cinema and the translation of indigenous Pacific literatures. Current projects include a book-length study of the films of Alain Resnais and another on the figure of the femme fatale in French and American film noir.
DEBORAH WALKER is Senior Lecturer in French at the University of Auckland, Aotearoa New Zealand. Her research is in French cinema and the translation of indigenous Pacific literatures. Current projects include a book-length study of the films of Alain Resnais and another on the figure of the femme fatale in French and American film noir.
| SKU | Unavailable |
| ISBN 13 | 9780230536906 |
| ISBN 10 | 0230536905 |
| Title | French and American Noir |
| Author | Alistair Rolls |
| Series | Crime Files |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Palgrave Macmillan |
| Year published | 2009-08-21 |
| Number of pages | 229 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |











































