
The Funfair by Simon Stephens
I kept telling myself I wanted something more out of my life, something brighter. I had all these ideas in my head. Thing is, I had to go down so low just to try to lift my life up a little bit higher.
Simon Stephens’s exciting new adaptation of the twentieth-century classic Kasimir and Karoline is a dark, political and hilarious play that sets two young lovers in the throes of a break-up against the hypnotic whirl and bright lights of a funfair.
The Funfair takes us on a ride through the loops, dips and highs of one night at a fairground, exploring a crisis of capitalism set to the soundtrack of a rock and roll love song.
The play received its world premiere at Manchester's Home Theatre on 14 May 2015 and was the theatre's first-ever production.
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The Curious Incident of the Dog in the Night-Time
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Blasted
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1984
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Enron
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Twelve Angry Men
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Punk Rock
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Lungs
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Posh
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The Cheviot, the Stag and the Black, Black Oil
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The Play That Goes Wrong
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One Man, Two Guvnors
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The Street Of Crocodiles
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The Cripple Of Inishmaan
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Memory of Water/Five Kinds of Silence
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Noises Off
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Shirley Valentine and One for the Road
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Emilia
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DNA
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seven methods of killing kylie jenner
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Punch
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Woyzeck
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Wasted
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Antigone
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The Lion, the Witch and the Wardrobe
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Crave
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Refugee Boy
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American Buffalo
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Lovesong
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A Doll's House
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Anita and Me
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'Rita, Sue and Bob Too' and 'A State Affair'
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The Wonderful World of Dissocia and Realism
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The Effect
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Mother Courage and Her Children
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A Servant To Two Masters
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Baby Reindeer
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Earthquakes in London
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Night Watch
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Andorra
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Confusions
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The Arsonists
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Phaedra's Love
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Blue/Orange
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The Cherry Orchard
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The Caucasian Chalk Circle
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Di and Viv and Rose
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pool (no water)' and 'Citizenship'
At every turn, The Funfair subverts your liberal prejudices * Whatsonstage *
Stephens' reworking is local and immediate. It translates the story of romantic disintegration and far-right politics at the 1929 Munich Oktoberfest into a violent, hedonistic night on the lash at a seedy Mancunian fairground today. . . . it seethes with rage at the obscene inequalities of wealth and power in our society and how they drive the dispossessed to turn on one another. * The Times *
with hints of an expressionist Woyzeck, the melancholy of a Chekhov play and some of the political clout of Edward Bond's Saved. . . . The era is both now and then. * Guardian *
Simon Stephens's angry version of Odon von Horvath's 1932 Kasimir and Karoline. . . . Stephens sees utter modernity in his tale of lovers breaking up as poverty and desperation render the world around them hostile. . . . a piece of dark, glittering fragments. . . . it's gaudy despair . . . is true, disturbing and wide-reaching. * Observer *
Stephens' script is excellent, peppered with bursting one-liners. And the nightmarish atmosphere of the fair, a metaphor for a society sick at its core, is powerfully evoked. Politically engaged and artistically bold - as reliant on surreal imagery as on dialogue * Financial Times *
Simon Stephens's latest work is an unflinching, highly political portrait of life at the bottom of the heap. * Mail on Sunday *
| SKU | Unavailable |
| ISBN 13 | 9781474265843 |
| ISBN 10 | 1474265847 |
| Title | The Funfair |
| Author | Simon Stephens |
| Series | Modern Plays |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Bloomsbury Publishing PLC |
| Year published | 2015-05-14 |
| Number of pages | 80 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |



















































































