Hensel: String Quartet in E flat by Benedict Taylor

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Summary

Fanny Hensel's String Quartet in E flat major (1834) is one of her most ambitious and individual compositions. Contextualising it within wider scholarly discussion about female composers' music, Benedict Taylor explores the unique qualities of Hensel's piece and shows how it responded to the most progressive works of the time.

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Hensel: String Quartet in E flat by Benedict Taylor

The String Quartet in E flat major (1834) by Fanny Hensel, n e Mendelssohn, is one of the most important works by a female composer written in the nineteenth century. Composed at a turning point in her life (as Hensel was not only grappling with her own creative voice but also coming to terms with her identity as a married woman, and the role her family expected of her), the quartet is significant in showing a woman composing in a genre that was then almost exclusively the domain of male artists. Benedict Taylor's illuminating book situates itself within developing scholarly discourse on the music of women composers, going beyond apologetics - or condemnation of those who hindered their development - to examine the strength and qualities of the music and how it responded to the most progressive works of the period.
Benedict Taylor is Reader at the Reid School of Music, University of Edinburgh. Publications include Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form (2011), The Melody of Time: Music and Temporality in the Romantic Era (2016), and Music, Subjectivity, and Schumann (2022).
SKU Unavailable
ISBN 13 9781316513842
ISBN 10 131651384X
Title Hensel: String Quartet in E flat
Author Benedict Taylor
Series New Cambridge Music Handbooks
Condition Unavailable
Binding Type Hardback
Publisher Cambridge University Press
Year published 2023-11-30
Number of pages 150
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.