Moving Images by Helen Groth
Examines the moving image in relation to nineteenth-century literature, theories of mind, and visual mediaThis book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind. Reading between these parallel histories of mind and media reveals a dynamic conceptual, aesthetic and technological engagement with the moving image that, in turn, produces a new understanding of the production and circulation of the work of key nineteenth-century writers, such as Lord Byron, Walter Scott, Lewis Carroll, Charles Dickens and William Makepeace Thackeray. As Helen Groth shows, this engagement is both typical of the nineteenth-century in its preoccupation with questions of automatism and volition (unconscious and conscious thought), spirit and materiality, art and machine, but also definitively modern in its secular articulation of the instructive and entertaining applications of making images move both inside and outside the mind. Key Features Considers the impact of the dramatic transformations in print and visual culture on our understanding of the production, circulation and mediation of works by Byron, Scott, Thackeray, Carroll, Dickens, Mayhew and James, as well as lesser-known writers such as Ann and Jane Taylor, Pierce Egan, Countess Blessington, and George SimsProvides a new perspective on the conventional opposition of the early cinema of attractions to the immersive absorption of both nineteenth-century literary formations and later classical narrative cinema-
Suffragist Artists in Partnership
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The Sculptural Body in Victorian Literature
- Walter Pater
- Spirit Becomes Matter
- William Morris and the Idea of Community
- Jane Morris
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Invisible Architecture in Nineteenth-Century Literature
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New Media and the Rise of the Popular Woman Writer, 1832 1860
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Determined Spirits
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The Victorian Actress in the Novel and on the Stage
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Reading Ideas in Victorian Literature
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The Fin-De-Siecle Scottish Revival
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The Persian Presence in Victorian Poetry
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Rudyard Kipling's Fiction
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London's Underground Spaces
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Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain
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Victorian Auto/Biography
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Olive Schreiner and the Politics of Print Culture, 1883-1920
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Gender, Technology and the New Woman
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Time and Timelessness in Victorian Poetry
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Italian Politics and Nineteenth-Century British Literature and Culture
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Novel Institutions
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Home and Identity in Nineteenth-Century Literary London
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The Victorian Male Body
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The Pre-Raphaelites and Orientalism
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Blasted Literature
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Coastal Cultures of the Long Nineteenth Century
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Victorian Fictions of Middle-Class Status
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The Gothic Forms of Victorian Poetry
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In Lady Audley's Shadow
A carefully researched study of the new visual wonders of the nineteenth-century—the kaleidoscope, the magic lantern, the dissolving view, the Thaumatrope, and PhenakistoscopeIt shows, with wonderful illumination of its own, how they shaped literary practice and "psychological aesthetics" in the decades before cinema.
Helen Groth is Professor of English in the School of Arts and Media, University of New South Wales. She is the author of Victorian Photography and Literary Nostalgia (Oxford University Press, 2004), Moving Images. Nineteenth-Century Reading and Screen Practices (Edinburgh University Press, 2013), and co-author of Dreams and Modernity. A Cultural History (Routledge, 2013). She is the co-editor of a number of books and special journal issues, most recently Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film (Edinburgh University Press, 2017) and Writing the Global Riot (Oxford University Press, 2023).
| SKU | Unavailable |
| ISBN 13 | 9781399574228 |
| ISBN 10 | 1399574221 |
| Title | Moving Images |
| Author | Helen Groth |
| Series | Edinburgh Critical Studies In Victorian Culture |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Edinburgh University Press |
| Number of pages | 224 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |



























