Narrative Discourse by Patrick Colm Hogan
In Narrative Discourse: Authors and Narrators in Literature, Film, and Art, Patrick Colm Hogan reconsiders fundamental issues of authorship and narration in light of recent research in cognitive and affective science. He begins with a detailed overview of the components of narrative discourse, both introducing and reworking key principles. Based on recent studies treating the complexity of human cognition, Hogan presents a new account of implied authorship that solves some notorious problems with that concept.In subsequent chapters Hogan takes the view that implied authorship is both less unified and more unified than is widely recognized. In connection with this notion, he examines how we can make interpretive sense of the inconsistencies of implied authors within works and the continuities of implied authors across works. Turning to narrators, he considers some general principles of readers judgments about reliability, emphasizing the emotional element of trust. Following chapters take up the operation of complex forms of narration, including parallel narration, embedded narration, and collective voicing ( we narration). In the afterword, Hogan sketches some subtleties at the other end of narrative communication, considering implied readers and narratees. In order to give greater scope to the analyses, Hogan develops case studies from painting and film as well as literature, treating art by Rabindranath Tagore; films by David Lynch, Bimal Roy, and Kabir Khan; and literary works by Mirabai, Harriet Beecher Stowe, Ernest Hemingway, William Faulkner, Margaret Atwood, Ngugi wa Thiong o, and Joseph Diescho.-
Why We Read Fiction
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Narrative Dynamics
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Having a Good Cry
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Fi-Sci
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Narrative in the Anthropocene
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Narrative Co-Construction
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Fictionality and Literature
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Towards the Ethics of Form in Fiction
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Narrative, Race, and Ethnicity in the United States
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Literary Identification from Charlotte Bronte to Tsitsi Dangarembga
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Real Mysteries
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Feminist Narrative Ethics
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Making Conversation in Modernist Fiction
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The Reader as Peeping Tom
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A Poetics of Unnatural Narrative
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Narrative Structures and the Language of the Self
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Unnatural Narrative
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Environment and Narrative
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The Story of Fictional Truth
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Playing at Narratology
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Narrative Theory
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A New Anatomy of Storyworlds
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We-Narratives
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Contemporary French and Francophone Narratology
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Narrative Middles
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Unnatural Voices
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Becoming Pynchon
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Post-Postmodernist Fiction and the Rise of Digital Epitexts
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Disrupting Narrative Rhetoric
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Experiencing Visual Storyworlds
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Techniques for Living
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Deformative Fictions
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The Real, the True, and the Told
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I Know That You Know That I Know
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The Vitality of Allegory
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Never on Time, Always in Time
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Digital Fiction and the Unnatural
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Audionarratology
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Understanding Nationalism
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Debating Rhetorical Narratology
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Beauty and Sublimity
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Literature and Moral Feeling
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Colonialism and Cultural Identity
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Cognitive Science, Literature, and the Arts
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What is Colonialism?
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The Cambridge Encyclopedia of the Language Sciences
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How Authors' Minds Make Stories
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The Mind and its Stories
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The Death of the Goddess – A Poem in Twelve Cantos
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Understanding Nationalism
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American Literature and American Identity
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Ulysses and the Poetics of Cognition
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Sexual Identities
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Rabindranath Tagore
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What Literature Teaches Us about Emotion
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The Politics of Interpretation
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Literary India
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The Routledge Companion to Literature and Emotion
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Empire and Poetic Voice
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On Interpretation
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Tagore's Best Short Stories
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Style in Narrative
| SKU | Unavailable |
| ISBN 13 | 9780814255094 |
| ISBN 10 | 0814255094 |
| Title | Narrative Discourse |
| Author | Patrick Colm Hogan |
| Series | Theory And Interpretation Of Narrative |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Ohio State University Press |
| Year published | 2018-11-10 |
| Number of pages | 318 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |