
Performing Digital by David Carlin
Digital technologies have transformed archives in every area of their form and function, and as technologies mature so does their capacity to change our understanding and experience of material and performative cultural production. There has been an exponential explosion in the production and consumption of video online and yet there is a scarcity of knowledge and cases about video and the digital archive. This book seeks to address that through the lens of the project Circus Oz Living Archive. This project provides the case study foundation for the articulation of the issues, challenges and possibilities that the design and development of digital archives afford. Drawn from eight different disciplines and professions, the authors explore what it means to embrace the possibilities of digital technologies to transform contemporary cultural institutions and their archives into new methods of performance, representation and history.-
Defining Digital Humanities
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Digital Futures in the Making
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Shakespeare's Language in Digital Media
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Digital Research in the Study of Classical Antiquity
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Revisualizing Visual Culture
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Evolving Perspectives on Digital Classics
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Memory and the Digital Manuscript
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New Directions in Mobile Media and Performance
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Visual Interface Design for Digital Cultural Heritage
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Digital Humanities in Medieval and Early Modern Spanish Texts
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The Shape of Data in Digital Humanities
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Collaborative Research in the Digital Humanities
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Digital Archetypes
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Crowdsourcing our Cultural Heritage
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Museums in the New Mediascape
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What's in a Word-list?
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The Historical Web and Digital Humanities
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International Perspectives on Publishing Platforms
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Critical Gaming: Interactive History and Virtual Heritage
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A History of Place in the Digital Age
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The Strehlow Archive: Explorations in Old and New Media
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Feminist War Games?
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Paradata and Transparency in Virtual Heritage
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Interfaces of Performance
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Historic Newspapers in the Digital Age
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Literary Mapping in the Digital Age
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Cultural Heritage Infrastructures in Digital Humanities
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Information and Knowledge Organisation in Digital Humanities
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Humans at Work in the Digital Age
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Postdigital Storytelling
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Linked Data for Digital Humanities
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Digital Humanities and Laboratories
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Multilingual Digital Humanities
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Access and Control in Digital Humanities
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Hidden and Devalued Feminized Labour in the Digital Humanities
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Digital Humanities Workshops
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Networks and the Spread of Ideas in the Past
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Cultural Heritage Communities
'The Circus Oz Living Archive project that forms the basis of this book is particularly novelNot only does it apply a museum-like approach to recordings of performances, it does so in a way that is purposefully useful to, and accepted by, the performers themselves. This book provides a unique insight into the transformations of the performing arts, media and cultural heritage sectors taking place in early 21st century.' Seb Chan, Director of Digital & Emerging Media at the Smithsonian’s Cooper-Hewitt National Design Museum, New York, USA (from the Foreword) ’With a central focus on the Melbourne-based Circus Oz Living Archive, Performing Digital: Multiple Perspectives on a Living Archive proposes an alternative to the notion that an archive is a simple repository of the past. Open to the question of how an archive might alter a living practice, Performing Digital explores how the idea of liveness can be embedded in and extracted from the archive, how an archive can be a performative cartography, and how this dynamic mapping might alter the temporality of the event, the emphasis as much on programming issues as on theoretical questions. How, it asks, can archives be truly moving?’ Erin Manning, Concordia University, Canada ’This book with its focus on the living archive of Circus Oz, designed as a digital collage of tricks and tales, insightfully advances our thinking about the user-oriented archive, or an artist-oriented archive. Its writers conceive of a flat ontology whereby artefacts and memories in multiple combinations may re-animate the frisson of the live event, and yet devolve their power to a future form of knowledge. It is a study of bold creative research shared with its artistic community.’ Rachel Fensham, University of Melbourne, Australia
David Carlin and Laurene Vaughan are both Associate Professors in the School of Media and Communication at RMIT University, Australia.
| SKU | Unavailable |
| ISBN 13 | 9781472429728 |
| ISBN 10 | 1472429729 |
| Title | Performing Digital |
| Author | David Carlin |
| Series | Digital Research In The Arts And Humanities |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Routledge |
| Year published | 2015-06-16 |
| Number of pages | 280 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |









































