Realism in Nineteenth-Century Music by Carl Dahlhaus

Realism in Nineteenth-Century Music by Carl Dahlhaus

Regular price
Checking stock...
Regular price
Checking stock...
Summary

Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. The notes are revised here for the English-speaking reader.

The feel-good place to buy books
  • Free delivery in Australia
  • Supporting authors with AuthorSHARE
  • 100% recyclable packaging
  • Proud to be a B Corp – A Business for good
  • Buy-back with Ziffit

Realism in Nineteenth-Century Music by Carl Dahlhaus

The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.
SKU Unavailable
ISBN 13 9780521278416
ISBN 10 0521278414
Title Realism in Nineteenth-Century Music
Author Carl Dahlhaus
Condition Unavailable
Binding Type Paperback
Publisher Cambridge University Press
Year published 1985-06-13
Number of pages 140
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
Note Unavailable