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The Persistence of Craft Paul Greenhalgh (University of East Anglia, UK)

The Persistence of Craft By Paul Greenhalgh (University of East Anglia, UK)

The Persistence of Craft by Paul Greenhalgh (University of East Anglia, UK)


£5.60
Condition - Like New
Out of stock

Summary

Studio craft, in effect, started with the Arts and Crafts Movement, and developed throughout the 20th century. This work looks at studio arts from woodworking, ceramics and glass to jewellery, metalworking and textiles, and discusses the factors that have shaped their development.

The Persistence of Craft Summary

The Persistence of Craft by Paul Greenhalgh (University of East Anglia, UK)

Studio Craft, in effect, started with the Arts and Crafts Movement, and developed throughout the 20th century. This work looks at studio arts from woodworking, ceramics and glass to jewellery, metalworking and textiles, and discusses the factors that have shaped their development. These range from philosophical considerations such as ethnicity, tradition and Post-Modernism to practicalities such as the development of new techniques and equipment.

About Paul Greenhalgh (University of East Anglia, UK)

Paul Greenhalgh is currently the president of the Nova Scotia School of Art and Design. He was previously Head of Research at the V&A in London. There he curated and wrote the accompanying book to the highly successful Art Nouveau exhibition. He has written a number of other books and he is a frequent contributor to a wide variety of journals.

Additional information

GOR013331982
9780713650013
071365001X
The Persistence of Craft by Paul Greenhalgh (University of East Anglia, UK)
Used - Like New
Hardback
Bloomsbury Publishing PLC
20021130
224
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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