This is a very practical and easily accessible explanation of the cinematographer's craft...It is a lucid reference book and readable guide and achieves its aim of supplying the foundation knowledge an aspiring DoP needs. - Zerb
...there is absolutely no doubt that all the technical knowledge that a DoP needs can be found within these covers. - Image Technology magazine
In his definitive tome Wheeler takes us through every aspect of the DOP's job from discussing the finer points of which film stock to use to film grading. This is a well-presented, copiously illustrated and definitive guide to practical cinematography. Although much of the information contained in the book is concerned with 35mm and 16mm film making, Wheeler's expert knowledge of the craft of lighting, use of filters, and creative use of lenses to create stunning cinemagraphic images will help any videographer improve their technical understanding of camera operation...This book is not a quick and easy read; it is a detailed and comprehensive masterclass in practical cinematography. - Focus magazine
This book is very clearly illustrated with useful diagrams. - Stills Audio Motion
The author covers in great detail the many aspects of the production of a motion picture from the director of photography's point of view and responsibility. He does this in a very understandable and interesting style...Paul Wheeler details the creating of an image as a top DP would desire. The book is very comprehensive and makes informative reading in a very enjoyable manner.
-John Leak, ACS, Australian Cinematographer magazine,
'I've attended one of Paul's lectures and although this book can only contain a part of his humour, a fraction of his experience and a hint of his enthusiasm it's a wonderful source of knowledge. It will provide a valuable insight to all budding cinematographers who should read it, learn it and then go out and make a film (not a video... a film)!'
Online bookseller's reader review
The author covers in great detail the many aspects of the production of a motion picture from the director of photography's point of view and responsibility. He does this in a very understandable and interesting style.
-John Leak, ACS, Australian Cinematographer magazine,
