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Artists discussed include Imogen Stidworthy (commentary by Mladen Dolar and Nuria Enguita May), Christine Sun Kim (commentary by Bárbara Rodríguez Muñoz, as well as an artist contribution), Arthur Bispo do Rosário, and Tarek Atou (commentary by Rayya Badra). 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Its academic format differentiates it from popular review magazines. \u003ci\u003eAfterall 44\u003c\/i\u003e focuses on indigenous contemporary art practices around the world. It explores the possibilities and potentialities of reinventing contexts and of speaking from within.  An essay examines the Green Horse Society, an arts collective in Mongolia that has transformed its contemporary arts scene, and featured artists include Maria Thereza Alves, Pia Arke, and Hans Ragnar Mathisen. 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Daniels Faculty of Architecture, Landscape and Design, University of Toronto; and the Art Gallery of Ontario, Toronto; and NTU Centre for Contemporary Art Singapore; in association with the University of Chicago Press.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51201673822481,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51201676509457,"sku":"NGR9781846381621","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1846381622.jpg?v=1750963880"},{"product_id":"afterall-book-elisa-adami-9781846382680","title":"Afterall","description":"\u003cb\u003eThe newest issue from the biannual journal of art history and theory.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e Established in 1998, \u003ci\u003eAfterall\u003c\/i\u003e is a journal of contemporary art that provides an in-depth analysis of art and its social, political, and philosophical contexts. Each issue provides the reader with well-researched contributions that discuss each artist's work from different perspectives. Contextual essays and other texts discussing events, works, or exhibitions further develop the thematic focus of each issue.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e Issue 57 pursues \u003ci\u003eAfterall\u003c\/i\u003e's ongoing interest in conversations about the new political and ethical responsibilities faced by the global art world in which exhibitions become sites of translation of the realities of the non-western world and of experimentation with progressive and emancipatory internationalisms. 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