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He worked for French Vogue for over 30 years, from 1955–1987, and his images filled the pages of international fashion magazines during the 1970s and 1980s in groundbreaking campaigns for Charles Jourdan, Bloomingdales and Dior. His high-glamour, yet often surreal work revolutionized the genre of fashion photography, presenting fashion as the luxurious embellishment rather than the subject of his photographs, which foreground dark fantasies of lust, consumption and desire. Bourdin's legacy can still be seen in the work of photographers such as Stephen Meisel and Helmut Newton. 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This volume is the first to focus exclusively on this aspect of his work, examining the evolution of his equally provocative depictions of men. It ranges from little-known early works on paper and a series of kitschy paintings of men with beards to signature eccentric figures such as the elderly reader in the painting 2070 (2005) and his more baroque genre scenes featuring male couples. 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Shifting away from the dominant figures of French and Austrian artists, this revisionist look at Symbolism through an Eastern and Baltic lens will introduce a wider audience to a rich and relatively understudied field of visual culture.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":50097259053329,"sku":"NGR9788396302625","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/8396302626.jpg?v=1751096915"},{"product_id":"guy-bourdin-book-alison-m-gingeras-9780714843032","title":"Guy Bourdin","description":"Guy Bourdin (1928–1991) created some of the most challenging and seductive fashion photography of the last century. He worked for French Vogue for over 30 years, from 1955–1987, and his images filled the pages of international fashion magazines during the 1970s and 1980s in groundbreaking campaigns for Charles Jourdan, Bloomingdales and Dior. 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The influential group of painters and sculptors had a tremendous impact on the development of European Abstract Expressionism, and contemporary art in general. Cobra was arguably the last avant-garde movement of the 20th century. Moving chronologically, this book explores the years leading up to Cobra's formation, charts its complex expansion over a decade, and illuminates how the movement helped shape the trajectory of contemporary art today. Thoughtfully integrated among the numerous images, many presented as full-page color illustrations, are essays that probe the ideological hallmarks that shaped the group as a whole: its rejection of rational constraints; a focus on play and youthfulness; and its embrace of immediacy, particularly in the form of action paintings. 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Moving beyond binary thinking, the exhibition emphasizes the diversity of subjects and complexities of character that artists have captured through various modes of portrait-making. Looking backward and forward, Pictures Girls Make recontextualizes pioneering portraitists who escaped the narrow first draft of the past century, while also surveying a wide range of contemporary painters. Far from “just girls,” this range of artists has pushed the genre to capture the actual conditions, social structures and day-to-day experiences that form human existence. Artists include: Gertrude Abercrombie, Maria Anto, Ernie Barnes, Jerome Caja, Xinyi Cheng, Leonor Fini, Léonard Tsuguharu Foujita, Juanita Guccione, Mela Muter, Simphiwe Ndzube, Alice Neel, Collin Sekajugo, Sylvia Sleigh, Aleksandra Waliszewska, Robin F. 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His work has been included in the world's top exhibitions (including Documenta 11, 2003, and the 48th Venice Biennale, 1999), and he was recipient of the prestigious Prix Marcel Duchamp in 2001.   Hirschhorn's work, a commentary on the spectacle of late-capitalist consumerism, is characterized by collages of tinfoil, cardboard, plywood, plastic and packing tape combined with an infinite variety of debris: handwritten texts and images culled from popular magazines, miniature toy airplanes and trains, knick-knacks by the hundreds, armies of plastic 'gold' watches, effigies of Nietzsche and Princess Diana, monitors duct-taped into vitrines, and so on.  Part text, part sculpture, part junk heap, and incorporating furniture, cardboard boxes, wooden frames and more, these installations reflect an extraordinarily prolific imagination. Their sheer volume and the time it takes to read and see these massive installations make them unforgettable, often quite humorous experiences. Half-sculptural, half-architectural and fully revolutionary, some of Hirschhorn's most elaborate installations, such as the multi-room Cavemanman (Barbara Gladstone Gallery, New York, 2002), transform ordinary spaces into a labyrinthine, parallel universe of hybrid forms and fascinating accumulations. A key player in the contemporary art scene today, Hirschhorn moves beyond existing genres - the readymade, the post-Conceptual, video - to offer an important, unprecedented direction for twenty-first-century art.   Noted professor and art theorist Benjamin H. D. Buchloh surveys the artist's work, form its anonymous beginnings in the streets of Paris to his recent virtuoso installations, as part of a long tradition of politically motivated anti-monuments. In her Interview, Alison M. Gingeras, who has worked with Hirschhorn numerous times since 2000, discusses with the artist his beginnings as a graphic designer and his more recent dealings with the contemporary art system. Carlos Basualdo offers a full analysis of, as well as a little background on, Bataille Monument at Documenta 11, which Basualdo co-curated. Emergency Library is a unique Artist's Choice comprised of a series of oversized books attesting to Hirschhorn's love, both aesthetic and intellectual, for the the familiar, well-thumbed copies of his beloved books. 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This is the first ever English-language monograph on the vast and complex oeuvre of Erna Rosenstein (1913-2003), a prolific artist whose varied output was informed by her experience as a Polish Jew during the Holocaust.  Released on the occasion of the eponymous  exhibition at Hauser \u0026amp; Wirth in New York, and edited and with a text by exhibition curator Alison Gingeras, this book serves as an introduction to Rosenstein and her story. Alongside an extensive plates section, poems by Rosenstein are included in the book, as well as a special insert reproducing a fairy tale authored and illustrated by the artist. Art historian Dorota Jarecka has also contributed an essay, and the book additionally includes Rosenstein’s own narrative testimony of the war in Poland.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51063833559313,"sku":"NIN9783906915418","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51311785967889,"sku":"NGR9783906915418","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3906915417.jpg?v=1762597650"}],"url":"https:\/\/www.worldofbooks.com\/en-gb\/collections\/author-books-by-alison-m-gingeras.oembed","provider":"World of Books ","version":"1.0","type":"link"}