{"title":"Annet Dekker","description":null,"products":[{"product_id":"curating-digital-art-book-annet-dekker-9789493246010","title":"Curating Digital Art","description":"What is the role of the curator when organizing digital art exhibitions in online and offline spaces? Curating Digital Art focuses on how the experiments of curators, artists, and designers have reconfigured traditional models and methods for presenting and accessing (digital) art. In addition, it addresses how web-based practices continue to challenge certain established museological values and precipitate alternative ways of understanding art's stewardship, curatorial responsibility, public access, and art history. Through more than twenty interviews with artists and curators conducted over the course of the last ten years-combined with an extensive timeline-the readers are given an insight into the discourse on digital art and how it is curated today. 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By addressing and answering some of the challenges facing net art and providing an exploration of its intersection with conservation, the book casts a new light on net art, conservation, curating and museum studies.  Viewing net art as a process rather than as a fixed object, the book considers how this is influenced by and executed through other systems and users. Arguing that these processes and networks are imbued with ambiguity, the book suggests that this is strategically used to create suspense, obfuscate existing systems and disrupt power structures. The rapid obsolescence of hard and software, the existence of many net artworks within restricted platforms and the fact that artworks often act as assemblages that change or mutate, make net art a challenging case for conservation. Taking the performative and interpretive roles conservators play into account, the book demonstrates how practitioners can make more informed decisions when responding to, critically analysing or working with net art, particularly software-based processes.   Collecting and Conserving Net Art is intended for researchers, academics and postgraduate students, especially those engaged in the study of museum studies, conservation and heritage studies, curatorial studies, digital art and art history. 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How has this change in archiving practice affected our relationship to the past, present and future? Will the erased, forgotten and neglected be redeemed, and new memories be allowed? 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Bringing together expertise from different disciplines, the book provides an in-depth investigation of the development of documentation as a set of production, circulation, and preservation strategies. Illustrating how these are often led by artists, audiences, and museums, the contributions offer new insights into digital art and its history, curation, and preservation, through documentation. Considering documentation as the main method of preserving these art forms, the book analyses how it can address the inherent challenges of capturing live events, visitor experiences, and evolving artworks. Showing how documentation itself can become (part of) an original artwork, the book discusses ways in which these expanded practices can impact the value and experience of the documented event or artwork, giving consideration to how this might affect the traditional authority of the museum as creator of documentation used for future reference, historical relevance, or cultural memory.  Documentation as Art demonstrates how the curation and preservation of documentation and the introduction of audience-generated documentation are radically changing exhibition and visiting practices in which documentation is becoming a significant and emergent cultural form in its own right. 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