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Exploring themes of motherhood, identity, and modern life with unflinching honesty and striking imagery, her collections offer both solace and challenge.\u003c\/p\u003e","products":[{"product_id":"interior-with-sudden-joy-book-brenda-shaughnessy-9780374526986","title":"Interior with Sudden Joy","description":"\u003cp\u003eThe Next Illogical Step In Love Poetry\u003cbr\u003e \u003cbr\u003e \u003ci\u003e\"The next illogical step\u003c\/i\u003e\u003cbr\u003e \u003ci\u003ein love poetry\u003c\/i\u003e\u003cbr\u003e \u003ci\u003eThe most inscrutable beautiful names in this world\u003c\/i\u003e\u003cbr\u003e \u003ci\u003ealways do sound like diseases.\u003c\/i\u003e\u003cbr\u003e \u003ci\u003eIt is because they are engorged.\u003c\/i\u003e\u003cbr\u003e \u003ci\u003eG., I am a fool.\u003c\/i\u003e\u003cbr\u003e \u003ci\u003eWhat we feel in the solar plexus wrecks us.\u003c\/i\u003e\u003cbr\u003e \u003ci\u003eHalfway squatting on a crate where feeling happened.\u003c\/i\u003e\u003cbr\u003e 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Brenda Shaughnessy's worst fears as a mother as they are by her superb craft as a poet, the poems in \u003ci\u003eThe Octopus Museum\u003c\/i\u003e blaze forth from her pen- in these pages, we see that what was once a generalized fear for our children is now hyper-reasonable, specific, and multiple- school shootings, nuclear attack, loss of health care, a polluted planet. As Shaughnessy conjures our potential future, she movingly (and often with humor) envisions an age where cephalopods might rule over humankind, a fate she suggests we may just deserve after destroying their oceans. These heartbreaking, terrified poems are the battle cry of a woman who is fighting for the survival of the world she loves, and a stirring exhibition of who we are as a civilization.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49740621021457,"sku":"NGR9781524711498","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51417222316305,"sku":"CIN1524711497VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1524711497.jpg?v=1750861216"},{"product_id":"liquid-flesh-book-brenda-shaughnessy-9781780376295","title":"Liquid Flesh","description":"Spanning twenty years and five collections, Brenda Shaughnessy’s Liquid Flesh: New \u0026amp; Selected Poems introduces new readers to one of America’s most audacious and thrilling poets. Since debuting with the sexy swagger of 1999’s Interior with Sudden Joy, Shaughnessy has honed a poetic voice rich with contradictions: her poems are simultaneously tricky and blindingly honest, sensual and grief-stricken, coy and utterly self-possessed. She is a moralist with a profound sense of play, taking the patriarchy and the malevolent powers-that-be to task, as in her seminal poem ‘I’m Over the Moon’: ‘I don't like what the moon is supposed to do.\/ Confuse me, ovulate me,\/\/ spoon-feed me longing. A kind of ancient \/ date-rape drug. So I'll howl at you, moon,\/\/ I'm angry. I'll take back the night.’  Shaughnessy is omnivorous and fearless, even as she stares down her terrors, whether the blaze, fizzle, or explosion of wild love between women, or the unquenchable pain of a son’s birth injury. She celebrates, too, revelling in the pleasures and powers of the body and the transcendence of art. Her poems dance wildly to the sizzling music of the English language, awake to every syllable: ‘Artless\/\/ is my heart. A stranger\/ berry there never was,\/ tartless.\/\/ Gone sour in the sun,\/ in the sunroom or moonroof,\/ roofless.’ These poems are also, at times, laugh-out-loud funny – ‘like having a bad boyfriend in a good band’ – though there is always wisdom beyond the punchline.  Beginning with the youthful love lyrics of Interior with Sudden Joy, and opening onto the wily reckonings of Human Dark with Sugar, the unsparingly fierce mother-love and parallel worlds of Our Andromeda, the reverb-soaked coming of age and coming to consciousness of So Much Synth, the dark sci-fi prophecy of The Octopus Museum, before new poems that pay homage to women artists and their pathbreaking art, Liquid Flesh collects an unprecedented body of work unlike anything else in contemporary poetry.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49746325111057,"sku":"NGR9781780376295","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49790238982417,"sku":"GOR013785721","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52583786676497,"sku":"NLS9781780376295","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1780376294.jpg?v=1751449435"},{"product_id":"tanya-book-brenda-shaughnessy-9781780377087","title":"Tanya","description":"Brenda Shaughnessy is one of America’s most audacious and thrilling poets. In Tanya she weaves a tapestry of literary heritage and intimate reflection as she pays tribute to women artists and mentors, and circles the mysteries of friendship, love, art, and loss.  In this powerful gathering of poems about her own “influencers” – as well as poems on Surrealist artist Meret Oppenheim and the young choreographer Lauren Lovette – Shaughnessy dwells in memories of the women who set her on her artistic path.   In the title poem, she explores the eternal quality of an intense touchstone relationship with Tanya, about whom she writes, 'Everyone’s not you to me… Worth loving once, why not now?' We all have our own Tanya, and in this book we meet friends, mentors, sisters, lovers, who inhabit a verse classroom where Shaughnessy’s passion for literature – forged in her own formative studies, as in the poem 'Coursework' – is our teacher.   In flowing stair-step tercets, Shaughnessy leads us down into her generative core, exposing moments of spiritual and intellectual awakening, her love of art and the written word, and her sense of the life force itself, which is ignited by the conversation – across time and space – with other women.  Tanya is her sixth collection, her first since Liquid Flesh: New \u0026amp; Selected Poems (Bloodaxe Books, 2022), which introduced her work to readers in the UK.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49750588457233,"sku":"NGR9781780377087","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50296350277905,"sku":"GOR013916908","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52717165609233,"sku":"NLS9781780377087","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1780377088.jpg?v=1750929664"},{"product_id":"octopus-museum-book-brenda-shaughnessy-9780525655657","title":"The Octopus Museum","description":"Three Sisters is the story of three ordinary middle school age girls who are about to walk into their God-given destiny. 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While Shaughnessy tenderly winces at her youthful excesses, we humbly catch glimpses of our own.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFrom \"Never Ever\":\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLate is a synonym for dead which is a euphemism\u003cbr\u003e for ever. Ever is a double-edged word,\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eat once itself and its own opposite: always\u003cbr\u003e and always some other time.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIn the category of cleave, then. To cut and to cling to,\u003cbr\u003e somewhat mournfully...\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBrenda Shaughnessy\u003c\/b\u003e was born in Okinawa, Japan and grew up in Southern California. 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Worth loving once, why not now?\" We all have our own Tanya, and in this book we meet friends, mentors, sisters, lovers, who inhabit a verse classroom where Shaughnessy's passion for literature-forged in her own formative studies, as in the poem \"Coursework\"-is our teacher.\u003cbr\u003e \u003cbr\u003e In flowing stair-step tercets, Shaughnessy leads us down into her generative core, exposing moments of spiritual and intellectual awakening, her love of art and the written word, and her sense of the life force itself, which is ignited by the conversation-across time and space-with other women.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50477656801553,"sku":"CIN0593535936G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50698569089297,"sku":"NGR9780593535936","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51004375367953,"sku":"NIN9780593535936","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0593535936.jpg?v=1750699359"},{"product_id":"so-much-synth-book-brenda-shaughnessy-9781556595226","title":"So Much Synth","description":"\u003cp\u003e\"Over the last two decades Shaughnessy has stripped herself down to a voice that can sing plainly about disappointment and love in hard circumstances and the lost art of the mix tape.\"--The Paris Review\u003c\/p\u003e \u003cp\u003e\"Shaughnessy finds ever new ways to rend the heart in this biting and poignant anthropological study of girlhood and adolescence.\"--Publishers Weekly\u003c\/p\u003e \u003cp\u003eSubversions of idiom and cliché punctuate Brenda Shaughnessy's fourth collection as she approaches middle age and revisits the memories, romances, and music of adolescence. So Much Synth is a brave and ferocious collection composed of equal parts femininity, pain, pleasure, and synthesizer. While Shaughnessy tenderly winces at her youthful excesses, we can humbly catch glimpses of our own.\u003c\/p\u003e \u003cp\u003eFrom \"I Have A Time Machine\":\u003c\/p\u003e \u003cp\u003eBut unfortunately it can only travel into the future\u003cbr\u003e at a rate of one second per second,\u003cbr\u003e which seems slow to the physicists and to the grant\u003cbr\u003e committees and even to me.\u003cbr\u003e But I manage to get there, time after time, to the next\u003cbr\u003e moment and to the next . . .\u003c\/p\u003e \u003cp\u003eBrenda Shaughnessy is the author of three books of poetry, including Human Dark with Sugar (Copper Canyon), winner of the James Laughlin Award and finalist for the National Book Critics Circle Award, and Our Andromeda (Copper Canyon), which was one of New York Times Book Review's \"100 Notable Books of 2013.\" She is an Assistant Professor of English at Rutgers University, Newark, and lives in Brooklyn with her husband, son, and daughter.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51036860875025,"sku":"NIN9781556595226","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51422722195729,"sku":"CIN1556595220G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52400444735761,"sku":"NLS9781556595226","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1556595220.jpg?v=1751212877"},{"product_id":"satellite-convulsions-book-brenda-shaughnessy-9780979419898","title":"Satellite Convulsions","description":"Satellite Convulsions: Poems from Tin House celebrates Tin HouseMagazine's commitment to publishing innovative contemporary poetry by both established and emerging poets. 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What MEM learns is that CORP seeks \"To give the robot something real. \/ What it can fake but not make- \/ mercy, compassion. Trust and love.\" That is, CORP hopes to harvest and own not just their employees' personal data but their thoughts, memories, and their sensory experiences, in order to build a robot that will contain all that is and ever was human, and replace the need for humans themselves.\u003cbr\u003e \u003cbr\u003e This swift drama, which unfolds in a libretto\/ script format, with dialogue in Shaughnessy's accessible and blistering verse, shows how MEM and her coworkers fight to save their individuality from being vacuumed up. A Greek-style chorus reflects on the state of a world where \"taking leave of our senses\" becomes a serious and quite literal threat, as MEM struggles to fulfill her singular role in fighting the high-tech of corrupt capitalism. 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