{"title":"Bruce Altshuler","description":null,"products":[{"product_id":"salon-to-biennial-book-bruce-altshuler-9780714844053","title":"Salon to Biennial","description":"Salon to Biennial documents the most important international group art exhibitions from 1863 to today, and will become the key and most comprehensive reference book on the subject of contemporary art group exhibitions. Salon to Biennial will be published in two volumes; Volume 1, scheduled for publication in the Fall of 2007, begins with the Salon des Refusés, Paris, 1863, and the beginning of the evolution of the exhibition format, and ends with the 'The New American Painting,' a multi-location international exhibition organized by the Museum of Modern Art, New York, 1958-59.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":49982635016465,"sku":"CIN0714844055VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51746054865169,"sku":"GOR007450751","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0714844055.jpg?v=1751200338"},{"product_id":"collecting-the-new-book-bruce-altshuler-9780691119403","title":"Collecting the New","description":"\"Collecting the New\" is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works - for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. 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