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Primer libro de  Camilo José Cela, supuso un valioso punto de partida para la narrativa  española de posguerra. La vida trágica de su arquetípico protagonista,  gobernada por la más salvaje violencia, era un comentario indirecto  sobre la barbarie padecida por los españoles durante la recién concluida  Guerra Civil, al tiempo que daba carta de naturaleza a una tendencia literaria renovadora, luego conocida como «tremendismo».\u003cbr\u003e \u003cbr\u003e \u003cb\u003eENGLISH DESCRIPTION\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cb\u003eThe first novel by Camilo José Cela, a landmark in postwar Spanish literature.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e \u003ci\u003eThe Family of Pascual Duarte\u003c\/i\u003e first saw the light in 1942 and had a huge impact on the Spanish literary scene of the time. 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In his foreword to the first edition Cela justifies and describes his text as a  pale reflection ... a humble shadow of the daily, harsh, deep and painful reality.  His portrait of a sad and desperate Madrid immediately drew the attention of the censors: the novel was banned in Spain until 1955, four years after its first edition was released in Argentina. The idea of portraying the daily Madrid reality constitutes the very essence of  La colmena  and, quite paradoxically, gives the text its universal reach. In the first place  La colmena  is a novel with no main character or plot in a traditional sense: a host of characters (more than three hundred between real and fictitious) and sub-plots, run along the streets in this intricate work. Its unity, though, resides in the most frequently mentioned character, Martin Marco, whose wanderings along the distinct Madrid boroughs and spaces render the novel a certain structural coherence. 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