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Ian Rankin 'Splendid ... Got me hooked.' Ruth Rendell 'A slow-burning chill of a read by a master of suspense.' Janice Hallett 'The grandmother of psycho-domestic noir; Britain's Patricia Highsmith.' Sunday Times  Louise would give anything - anything - for a good night's sleep. Forget the girls running errant in the garden and bothering the neighbours. Forget her husband who seems oblivious to it all. If the baby would just stop crying, everything would be fine.  Or would it? What if Louise's growing fears about the family's new lodger, who seems to share all of her husband's interests, are real? What could she do, and would anyone even believe her? Maybe, if she could get just get some rest, she'd be able to think straight . . .   WINNER OF THE 1960 EDGAR AWARD FOR BEST MYSTERY NOVEL  'Barbara Pym with arsenic.' Clare Chambers 'Sinister, witty and utterly compelling. A genius.' 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Are Louise's fears the product of sleep deprivation, as her unsympathetic husband suggests, or is there really something sinister about the respectable-seeming schoolmistress? \u003cbr\u003e During the hours before dawn, Louise suspects, people with a precarious grip on sanity are likeliest to slip over the edge into madness -- especially if there's someone ready to give them a push. Without spilling a drop of blood, this psychological thriller transforms everyday events and settings into the extraordinary, evoking an atmosphere of sheer terror. 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The women decide to look for a third tenant, and find Norah, who claims to be a battered wife seeking refuge. But Norah is telling lies that will put all of them in mortal danger.  'Celia Fremlin is an astonishing writer, who explores that nightmare country where brain, mind and self battle to establish the truth. She illuminates her dark world with acute perception and great wit.' 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Financial Times  Celia Fremlin's twelfth novel, originally published in 1982, tells the tale of Martin Lockwood, a man stuck between a wife and a mistress and frustrated by his faltering doctoral thesis on depression. Then he encounters Ruth Ledbetter, a smart, unbalanced, potentially dangerous young woman who soon insinuates herself into Martin's life, his home - and his PhD.  'Britain's equivalent to Patricia Highsmith, Celia Fremlin wrote psychological thrillers that changed the landscape of crime fiction for ever: her novels are domestic, subtle, penetrating - and quite horribly chilling.' Andrew Taylor  'Celia Fremlin is an astonishing writer, who explores that nightmare country where brain, mind and self battle to establish the truth. She illuminates her dark world with acute perception and great wit.' 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But dismay turns to fear once Clare begins to suspect that Edwin has practiced an extraordinary deception - and for the purpose of murder.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52100693197073,"sku":"GOR014466871","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":53237074297105,"sku":"NLS9780571312696","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780571312696.jpg?v=1779185406"},{"product_id":"listening-in-the-dusk-book-celia-fremlin-9780575047587","title":"Listening in the Dusk","description":"Alice Saunders, striking out on her own following the traumatic break-up of her marriage, rents an attic room in a London boarding house. The house contains a curious assortment of people, including the neurotic Mary, who resents Alice's occupation of the attic, and is trying to conceal a murder.","brand":"WoB","offers":[{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":52723135054097,"sku":"GOR004657568","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53622315122961,"sku":"GOR004409299","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780575047587.jpg?v=1763024321"},{"product_id":"trouble-makers-book-celia-fremlin-9780571312962","title":"The Trouble-Makers","description":"The Trouble-Makers (1963) was Celia Fremlin's fourth novel and - as Chris Simmons contends in his new preface to this Faber Finds edition - has a case to be considered among her very best.  Katharine is a suburban housewife, desultorily unemployed, unhappily married, struggling to keep up appearances but consoled to some degree by the even more aggravated woes of her next-door neighbour Mary - until, that is, Katharine is brought to the disturbing realisation that Mary's predicament is in fact substantially worse.   'A cleverly devised story. A chorus of nicely-characterised suburban wives speculate on Mary's troubles. Fremlin builds up the whole thing into a crescendo of horror.' Sunday Times  'One again Fremlin shows how incomparably more chilling is her quiet, semifactual style than some of the hysterical sentimentalities from Over the Water.' 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Are Louise's fears the product of sleep deprivation, as her unsympathetic husband suggests, or is there really something sinister about the respectable-seeming schoolmistress? \u003cbr\u003e During the hours before dawn, Louise suspects, people with a precarious grip on sanity are likeliest to slip over the edge into madness -- especially if there's someone ready to give them a push. Without spilling a drop of blood, this psychological thriller transforms everyday events and settings into the extraordinary, evoking an atmosphere of sheer terror. 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Within these covers are stories of family frustrations and fury - a young wife who wants rid of her husband, an elderly daughter who cannot endure her mother. Fremlin deals in the uncanny, too, constantly confounding our expectations, and those of her characters.  'Wonderfully written, subtle and disturbing.'  Times  'Written with such perception and elegance that they repay many readings.'  Glasgow Herald  'Celia Fremlin is an astonishing writer, who explores that nightmare country where brain, mind and self battle to establish the truth. She illuminates her dark world with acute perception and great wit.' 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