{"title":"Charles E Mcclelland","description":null,"products":[{"product_id":"postwar-german-culture-book-charles-e-mcclelland-9780525473657","title":"Postwar German Culture","description":"\u003cb\u003eWinner of the Sydney Taylor Book Award  \u003c\/b\u003e\u003cp\u003e\u003c\/p\u003eAn eleven-going-on-twelve-year-old Jewish girl searches for her identity in what \u003ci\u003ePublisher's Weekly\u003c\/i\u003e called a reassuring debut novel about finding one's personal peace-and-comfort zone. \u003cp\u003e\u003c\/p\u003eJustine Silver's best friend, Mary Catherine McAllister, has given up chocolate for Lent, but Justine doesn't think God wants her to make that kind of sacrifice. So she's decided to give up being Jewish instead. Eleven-year-old Justine pours her heart out to her teddy bear, Father Ted, in a homemade closet confessional. But when Justine's beloved Bubbe suffers a stroke, Justine worries that her religious exploration is responsible. 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How did German visual artists relate to the broader society around them between the invention of the artist as - genius and visionary, in the Romantic era of the nineteenth century, and the struggle to overcome pauperization and social marginalization through collective professionalization during much of the twentieth? The collective - if not always agreed - aspirations and expectations of artists in this long period are best reflected in the schools and academies that came to dominate their education, in their professional associations, and their strategies of marketing and economic well-being. Like members of other German learned professions, visual artists struggled to achieve autonomy from state, church, and other powerful social and economic forces while also raising and maintaining ever-evolving professional standards. Like other professions, they were forced also to make compromises with power and money, losing many battles in the process. The subjectivity of values surrounding art, the defacto economic status of artists as small entrepreneurs unable or unwilling to submit fully to corporate, bureaucratic, or union organization, and the practical inability to limit their numbers all conspired to undermine fully successful professionalization. By bringing the tools of social history to bear, this book sheds rare illumination on the little-known history of the many - everyday German artists, rather than on the better-known works of the few. 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