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Myths from North and South America are set side by side to show their transformations: in passing from person to person and place to place, a myth can change its content and yet retain its structural principles. . . . Apart from the complicated transformations discovered and the fascinating constructions placed on these, the stories themselves provide a feast.--Betty Abel, \u003ci\u003eContemporary Review\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eL vi-Strauss uses the structural method he developed to analyze and 'decode' the mythology of native North Americans, focusing on the area west of the Rockies. . . .  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Yet throughout this period he was maintaining a full teaching commitment in Paris.  The pieces in Anthropology and Myth illustrate (in his own word) ‘the effort, the tentative advances and retreats and now and again the achievements of a thought process during some thirty-two years that amount to a large proportion of an individual life and the span of a generation’. Lévi-Strauss used the lecture theatre as a workshop in which to try out and develop new ideas, and many of the familiar themes of his book will be found here: analysis of myth and ritual, totemism, kinship, marriage social stucture. Offering a unique glimpse of the genesis of such subjects throughout his teaching career, this book provides a sketchbook of the  themes painted elsewhere in larger, more finished form, and thus forms a document of vital importance for the history of anthropological thought.  Contents  Translator’s Note  Preface     The Field of Research Mythologics Inquiries into Mythology and Ritual Current Controversies and Social Organization and Kinship Clan, Lineage, House  Appendix: Nine Course Reports  Chronological Table  Index  Jacket illustrations: (Front) The Jungle, 1943, by Wifredo Lam, gouache on paper mounted on canvas. 7’10 1\/4” x 7’6 1\/2” (239.4 x 229.9 cm). Collection, The Museum of Modern Art, New York. Inter-American Fund. © DACS 1986 – Photograph © 1986, The Museum of Modern Art, New York is reproduced by kind permission. 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