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The politics of fashion touched everyone involved in this landmark occasion in American fashion history, from hostess Lady Bird Johnson and the Johnson daughters to the designers, including Bill Blass, Geoffrey Beene, Mollie Parnis, and Oscar de la Renta, as well as the models and guests. Those guests included the wives of governors and of President Johnson's Cabinet, in addition to dozens of fashion designers and prominent journalists who reported on the event.    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It is difficult for a contemporary person to reconcile these elegant clothes and accessories with the image of cloistered nuns. For many of the some thousand nuns in early modern Venice, however, these fashions were the norm.  Often locked in convents without any religious calling simply to save their parents the expense of their dowry these involuntary nuns relied on the symbolic meaning of secular clothes, fabrics, and colors to rebel against the rules and prescriptions of conventual life and to define roles and social status inside monastic society.  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Dressing a la Turque examines the theatrical depictions of Ottoman costumes, or Turkish dress, and demonstrates the French fascination for this foreign culture and its clothing.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51039425495313,"sku":"NIN9781606354599","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51832649908497,"sku":"NGR9781606354599","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1606354590.jpg?v=1773919233"},{"product_id":"separate-sphere-book-cynthia-amneus-9780896725157","title":"A Separate Sphere","description":"'This exhibition catalogue (worth buying for the photographs alone) documents the artistry and skills of dressmakers who catered to the elite women of Cincinnati' - \"Dress\". 'One gets a rare glimpse into the business of fashion in this stunning publication...Amneus uses dressmaking as a central theme to merge key issues in the areas of social and labor history during a time of cultural transformation in America. The result is a scholarly work that documents gender roles, equal rights, artisanship, and entrepreneurship' - \"Michigan Historical Review\". Dressmaking, considered a natural extension of women's proper work in the home, was a common and lucrative employment for women in the nineteenth and early twentieth centuries. It afforded creative expression, prestige in the community, and even the possibility of financial independence. Yet as entrepreneurs, dressmakers faced unique business pressures, and with the advent of department stores and widespread mass production of women's clothing, most were forced out of business. Coinciding with the exhibition Cynthia Amnus organized for the Cincinnati Art Museum, this work examines the nineteenth-century ideology of women's separate sphere, the early feminist movement, women in the workplace, and dressmakers as artisans and professionals. More than 140 stunning custom-made garments, historical photographs, and dressmakers labels document the superb artistic and technical skill of the women who produced fashionable dress in Cincinnati from 1877 to 1922. Bracketing Amnuss incisive study are essays by Anne Bissonnette on the eccentric tea gown, Marla Miller on the pitfalls of researching women's cultural work, and Shirley Teresa Wajda on the dressmakers wealthy clientele. In all, A Separate Sphere offers a careful look into the lives of women struggling with ideological boundaries. 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