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Weir concludes that anarchism is still with us as cultural condition, if not a political one.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52803104702737,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52803104735505,"sku":"GOR014624897","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781558490840.jpg?v=1764185604"},{"product_id":"honourable-member-for-murder-book-david-weir-9780749033798","title":"The Honourable Member for Murder","description":"Another day dawns over the Houses of Parliament and Maxwell Murray, 'Chief of Staff', researcher and what sometimes feels like nanny to the hapless MP Eliot Oakcroft, has much to do. Invitations for Oakcroft to consider, party correspondence, and, here and there, some legitimate constituency business. All while keeping the honourable member for Middlebury-Mid out of trouble and the inevitable media spotlight. But today, there's something a little different. Miranda Cley is seeking Eliot's help to free her mother from prison. After all, she can't have murdered Miranda's father, Charlie, if Miranda has just seen him alive and well. Max and his assistant Diana are on the case, wafting the scent of a possible career-making miscarriage of justice Eliot's way. But as the mystery of Charlie Cley's disappearance unravels, it quickly becomes clear that investigating could jeopardise not just their careers but their very lives. Drawing on his own parliamentary history (with all due discretion, of course), David Weir brings us a witty new crime series set among the colourful power brokers of contemporary politics","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":53060867358993,"sku":"NGR9780749033798","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780749033798.jpg?v=1780479892"},{"product_id":"decadent-culture-in-the-united-states-book-david-weir-9780791472781","title":"Decadent Culture in the United States","description":"Decadent Culture in the United States traces the development of the decadent movement in America from its beginnings in the 1890s to its brief revival in the 1920s. During the fin de si cle, many Americans felt the nation had entered a period of decline since the frontier had ended and the country's manifest destiny seemed to be fulfilled. Decadence--the cultural response to national decline and individual degeneracy so familiar in nineteenth-century Europe--was thus taken up by groups of artists and writers in major American cities such as New York, Boston, Chicago, and San Francisco. Noting that the capitalist, commercial context of America provided possibilities for the entrance of decadence into popular culture to a degree that simply did not occur in Europe, David Weir argues that American-style decadence was driven by a dual impulse: away from popular culture for ideological reasons, yet toward popular culture for economic reasons. 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Beginning with the decadent imagination of Baudelaire, Oscar Wilde and Frank Wedekind, David Weir explores how their ideas influenced silent-era filmmakers such as Erich von Stroheim, G. W. Pabst and Ernst Lubitsch, from the figure of the Vamp, immortalised by Theda Bara, to the fatal allure of Pabst’s \u003ci\u003ePandora’s Box\u003c\/i\u003e (1929). The book moves through Hollywood’s golden age, shaped by émigré artists such as Josef von Sternberg and Marlene Dietrich, and into European art cinema, with chapters on Fellini, Pasolini, Buñuel and Visconti. Weir follows decadence into the underground films of 1960s and 1970s New York, the distinctive aesthetics of Derek Jarman and Peter Greenaway, and contemporary reimaginings including Damien Chazelle’s \u003ci\u003eBabylon\u003c\/i\u003e (2022) and Yorgos Lanthimos’s \u003ci\u003ePoor Things\u003c\/i\u003e (2023). 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