{"title":"Dmitry Merezhkovsky","description":null,"products":[{"product_id":"tolstoy-as-man-and-artist-with-an-essay-on-dostoyevsky-book-dmitry-merezhkovsky-9781513133034","title":"Tolstoy As Man and Artist with an Essay on Dostoyevsky","description":"Tolstoy as Man and Artist with an Essay on Dostoevsky (1901) is a work of literary criticism by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. In this collection of essays on Tolstoy and Dostoevsky, Merezhkovsky explores the spiritual dimensions of the written word by examining the interconnection of being and writing for two of Russian literature’s most iconic writers. For Dmitriy Merezhkovsky, an author who always wrote with philosophical and spiritual purpose, the figure of the artist as a human being is a powerful tool for understanding the quality and focus of that artist’s work. Leo Tolstoy, author of such classics as War and Peace and Anna Karenina, developed a reputation as an ascetic, deeply spiritual man who envisioned his art as an extension of his political and religious beliefs. Dostoevsky, while perhaps more interested in the psychological aspects of human life, pursued a similar path in such novels as The Brothers Karamazov and Crime and Punishment. In Merezhkovsky’s view, these writers came to embody in their lives and works the particularly Russian conflict between truths both human and divine. Tolstoy as Man and Artist with an Essay on Dostoevsky is an invaluable text both for its analysis of its subjects and for its illumination of the philosophical concepts explored by Merezhkovsky throughout his storied career. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s Tolstoy as Man and Artist with an Essay on Dostoevsky is a classic work of Russian literature reimagined for modern readers.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49740900696337,"sku":"NGR9781513133034","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52482497184017,"sku":"NLS9781513133034","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1513133039.jpg?v=1751117193"},{"product_id":"tolstoy-as-man-and-artist-with-an-essay-on-dostoyevsky-book-dmitry-merezhkovsky-9781513283104","title":"Tolstoy As Man and Artist with an Essay on Dostoyevsky","description":"\u003cp\u003e\u003ci\u003eTolstoy as Man and Artist with an Essay on Dostoevsky\u003c\/i\u003e (1901) is a work of literary criticism by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity's fulfillment in twentieth century humanity. In this collection of essays on Tolstoy and Dostoevsky, Merezhkovsky explores the spiritual dimensions of the written word by examining the interconnection of being and writing for two of Russian literature's most iconic writers. For Dmitriy Merezhkovsky, an author who always wrote with philosophical and spiritual purpose, the figure of the artist as a human being is a powerful tool for understanding the quality and focus of that artist's work. Leo Tolstoy, author of such classics as \u003ci\u003eWar and Peace\u003c\/i\u003e and \u003ci\u003eAnna Karenina\u003c\/i\u003e, developed a reputation as an ascetic, deeply spiritual man who envisioned his art as an extension of his political and religious beliefs. 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She's escaped from her dangerous father, and her fianc , Governor Remy Duchamp, is too weak to rule. All eyes fall on Claire--and the power she could wield.\u003c\/p\u003e\u003cp\u003eBut that power is precarious as she and Remy are leading St. Cloud in exile after the General's attempted coup. And when King Washington descends on the small province, he brings with him his baseball team, Claire's brother, and a proximity to power Claire has never dreamed of. \u003c\/p\u003e\u003cp\u003eWith few allies to support her, she determines her best chance at survival is earning the King's good graces. Claire's schemes quickly get out of hand, reminding her that it isn't about who holds the power. It's about a system that grants such power to a select few, and the men who built it that way. 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Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity's fulfillment in twentieth century humanity. \u003ci\u003eThe Death of the Gods\u003c\/i\u003e the first work in the trilogy, is followed by\u0026gt;\u003ci\u003eResurrection of the Gods\u003c\/i\u003e (1900) and\u0026gt;\u003ci\u003ePeter and Alexis\u003c\/i\u003e (1904). Well received internationally, \u003ci\u003eThe Christ and Antichrist Trilogy\u003c\/i\u003e was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. 'Julian ' a voice cried; 'Julian, Julian  Where in the world is he? Eutropius is looking for you to go to church with him.' The boy shivered, and nimbly hid his handiwork inside the altar of Pan. 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Well received internationally, \u003ci\u003eThe Christ and Antichrist Trilogy\u003c\/i\u003e was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. 'Julian ' a voice cried; 'Julian, Julian  Where in the world is he? Eutropius is looking for you to go to church with him.' The boy shivered, and nimbly hid his handiwork inside the altar of Pan. He smoothed his hair, shook his clothes, and when he came out of the grotto had resumed an expression of impenetrable Christian hypocrisy. In\u0026gt;\u003ci\u003eThe Death of the Gods\u003c\/i\u003e, Emperor Julian, recognizing the increasing popularity of Christianity among the Roman people, makes a final attempt to plant the Olympian Gods at the center of spiritual life. Opposed to the asceticism of early Christians, Julian views the emerging religion as a sacrifice of worldly existence and human connection in favor of a metaphysical ideal. 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Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. Peter and Alexis, the final work in the trilogy, is preceded by The Death of the Gods (1895) and Resurrection of the Gods (1900). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “‘Antichrist is coming. He, the last of devils, has not yet come himself; but the world is teeming with his progeny. The children are preparing the way for their father. They twist everything to suit the designs of Antichrist. He will appear in his own due time, when everywhere all is prepared and the way smoothed. He is already at the door. Soon will he enter!’” In Peter and Alexis, Merezhkovsky moves his groundbreaking vision of spiritual progress and the historical development of humanity to the world of the Russian Empire. The novel portrays Peter the Great’s conflict with his son, the Tsarevich Alexei, as the inevitable confrontation between Antichrist and Christ for the soul of humanity. Rejecting the historical view of Peter as a powerful and honorable leader, Merezhkovsky suggests that he was a tyrant whose desire for progress and control came at the cost of countless lives. 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Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity's fulfillment in twentieth century humanity. \u003ci\u003eResurrection of the Gods\u003c\/i\u003e, the second work in the trilogy, is preceded by \u003ci\u003eThe Death of the Gods\u003c\/i\u003e (1895) and followed by \u003ci\u003ePeter and Alexis\u003c\/i\u003e (1904). Well received internationally, \u003ci\u003eThe Christ and Antichrist Trilogy\u003c\/i\u003e was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. This personage was already inspecting the Venus, with a cold, imperturbable composure, so different from Giovanni's personal agitation, that the lad could not but be struck with astonishment. He continued to gaze at the statue, but his consciousness now was entirely for the man by his side. 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Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. The Death of the Gods the first work in the trilogy, is followed by Resurrection of the Gods (1900) and Peter and Alexis (1904). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “‘Julian!’ a voice cried; ‘Julian, Julian! Where in the world is he? Eutropius is looking for you to go to church with him.’ The boy shivered, and nimbly hid his handiwork inside the altar of Pan. He smoothed his hair, shook his clothes, and when he came out of the grotto had resumed an expression of impenetrable Christian hypocrisy.” In The Death of the Gods, Emperor Julian, recognizing the increasing popularity of Christianity among the Roman people, makes a final attempt to plant the Olympian Gods at the center of spiritual life. Opposed to the asceticism of early Christians, Julian views the emerging religion as a sacrifice of worldly existence and human connection in favor of a metaphysical ideal. Despite his idealism, the inexorable current of history dooms him from the beginning. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s The Death of the Gods is a classic of Russian literature reimagined for modern readers.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52403714687249,"sku":"NLS9781513136721","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52844173361425,"sku":"NIN9781513136721","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781513136721.jpg?v=1758794062"},{"product_id":"resurrection-of-the-gods-book-dmitry-merezhkovsky-9781513136707","title":"Resurrection of the Gods","description":"Resurrection of the Gods (1900) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. Resurrection of the Gods, the second work in the trilogy, is preceded by The Death of the Gods (1895) and followed by Peter and Alexis (1904). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “This personage was already inspecting the Venus, with a cold, imperturbable composure, so different from Giovanni's personal agitation, that the lad could not but be struck with astonishment. He continued to gaze at the statue, but his consciousness now was entirely for the man by his side.” In Resurrection of the Gods, Merezhkovsky moves his groundbreaking vision of spiritual progress and the historical development of humanity to the world of the Italian Renaissance. The novel captures a pivotal moment in the life of Leonardo da Vinci: invited as an expert to appraise a recently rediscovered statue of Venus, the artist embarks down a path of self-discovery whereby the humanist ideals of the ancient world will reinvigorate his faith in art. 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The novel starts with the merchant Buonarcozzi digging out the statue of Venus, with Leonardo invited as an expert. This echoes the final scene of The Death of the Gods with Arsinoya's prophecy about future brothers who will dig out the precious bones of Hellas, and start worshipping them again. 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Merezhkovsky saw Russia as an 'heir' to the fundamental Christ-Antichrist conflict and focuses here on Peter the Great as the embodiment of Antichrist (an idea he shared with Russian Old Believers) as opposed to the 'purely Christian' figure of Tsarevich Alexei.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52755160891665,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52755161088273,"sku":"NIN9781784352141","price":0.0,"currency_code":"GBP","in_stock":false}]}],"url":"https:\/\/www.worldofbooks.com\/en-gb\/collections\/author-books-by-dmitry-merezhkovsky.oembed","provider":"World of Books ","version":"1.0","type":"link"}