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At once tender and disturbing... drawn with an intriguing psychological complexity that feels quietly real. Margulies depicts the vagaries of spousal relationships with humor and pathos in an insightful manner that will undoubtedly spur meaningful conversations between couples. -Frank Scheck, \u003ci\u003eHollywood Reporter\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eFilled with humor, warmth, insight and wisdom, \u003ci\u003eDinner with Friends\u003c\/i\u003e is a modern day masterpiece on the destruction of today's marriage. Through Margulies's flawless use of language and his ability to convey the truest of dialogue and characterization, we watch, as the two couples do, our closest friends going through a wrenching breakup. Not only does he create vivid detail of a marriage in decline, he also brilliantly depicts the couple's closest friends, and how this new mirror to their own marriage sends them through a whirlwind of raw emotion and self-reflection. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eDonald Margulies\u003c\/b\u003e received the 2000 Pulitzer Prize for Drama for \u003ci\u003eDinner with Friends\u003c\/i\u003e. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild\/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. 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Ethical dilemmas arise like exploding mines.-\u003ci\u003eVariety\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eMr. Margulies is a skilled practitioner of fluid dialogue that is naturally funny and sensibly smart. -\u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIn his absorbing intelligent (\u003ci\u003eLos Angeles Times\u003c\/i\u003e) and timely new play, Donald Margulies uncovers the layers of a relationship between a photojournalist and foreign correspondent--once addicted to the adrenaline of documenting the atrocities of war, and now grounded in the couple's Brooklyn loft. Photographer Sarah was seriously injured while covering the war in Iraq; her reporter partner James had left weeks earlier, when the stress and horrors became too much for him. Now James writes online movie reviews while Sarah recovers, mourning for her Iraqi driver (and former lover) killed in the explosion, and itching to get back behind the camera. 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A truly affecting play. -Terry Teachout, \u003ci\u003eWall Street Journal\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eLike Chekhov, Mr. Margulies is a specialist in rueful regrets and misty glimpses of roads not taken. -Ben Brantley, \u003ci\u003eNew York Times\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eWith a knack for precision in depicting emotional and intellectual ambiguities, Margulies leaves his audiences feeling ripe with wisdom. His untethered finales beg for the audience to cathartically suffer and soar with his intelligently alive characters. Rather than leaving us longing for the past as in Chekhov, or looking to the potential of the future, as in Ibsen, Margulies keeps us longing for connection to the present moment. -Kate Bergstrom, \u003ci\u003eSanta Barbara Independent\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eAnna Patterson, the matriarch of a brood of famous and longing-to-be-famous creative artists, has gathered her family at their Berkshires summerhouse during the Williamstown Theatre Festival on the anniversary of her beloved daughter's death. But as restless egos and simmering jealousies derail the weekend, this family of performers must come to terms with the roles they play in each other's lives. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eDonald Margulies\u003c\/b\u003e received the 2000 Pulitzer Prize for Drama for \u003ci\u003eDinner with Friends\u003c\/i\u003e. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild\/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of \u003ci\u003eGod of Vengeance\u003c\/i\u003e, his many plays include \u003ci\u003eCollected Stories\u003c\/i\u003e, \u003ci\u003eThe Country House, Sight Unseen\u003c\/i\u003e, \u003ci\u003eThe Model Apartment\u003c\/i\u003e, \u003ci\u003eThe Loman Family Picnic\u003c\/i\u003e, \u003ci\u003eWhat's Wrong with This Picture?\u003c\/i\u003e and \u003ci\u003eTime Stands Still\u003c\/i\u003e. 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Changing styles in feminist thought, the tangled connections between creativity and ideology, the writer's odd place in our money-centered world, the way we turn our friends into surrogate families--while always fluid and lively, the play is thick with ideas, like a stockpot of good stew. -Michael Feingold, \u003ci\u003eVillage Voice\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eBeautifully layered. Margulies delivers a spot-on glimpse of New York's literary scene: the power of a \u003ci\u003eTimes\u003c\/i\u003e book review, or the milestone of the 92nd Y's authors series, or the significance of a little-known but much-revered lit mag like the now-defunct Grand Street. He's even better at teasing the sense of betrayal that can dissolve creative friendships...the ethics of friendship and fiction smack into each other. -Lisa Kennedy, \u003ci\u003eDenver Post\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e \u003ci\u003eCollected Stories\u003c\/i\u003e] digs into its engaging tale of aesthetics and ethics with intelligence and sharp, literate humor....Mr. Margulies has found fertile material in the struggles of the creative classes to reconcile the demands of ambition with the exigencies of life. -\u003ci\u003eNew York Times\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eThis provocative piece of theater serves as a timely reminder that we are defined by our feelings and memories -- and such precious thoughts are sacred. -Matthew J. Palm, \u003ci\u003eOrlando Sentinel\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eCollected Stories\u003c\/i\u003e explores the vexed emotional and legal question of a writer's right to create art from the biographical material of another person's life-particularly when that other person is also a writer. Meditating upon the recent, real-life conflict between poet Stephen Spender and novelist David Leavitt, Margulies has created two of the most vivid and moving fictional characters of his career: Ruth Steiner, an aging, highly regarded author who never wrote about her youthful affair with real-life poet Delmore Schwartz, and Lisa Morrison, a student of Steiner's who, after publishing a much-ballyhooed first short-story collection under Steiner's direction, follows up with a novel that draws upon the Schwartz affair. The result is charged drama with the depth and weight of the finest prose fiction. Winner of the Los Angeles Drama Critics Award for Best New Play. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eDonald Margulies\u003c\/b\u003e received the 2000 Pulitzer Prize for Drama for \u003ci\u003eDinner with Friends\u003c\/i\u003e. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild\/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of \u003ci\u003eGod of Vengeance\u003c\/i\u003e, his many plays include \u003ci\u003eCollected Stories\u003c\/i\u003e, \u003ci\u003eThe Country House, Sight Unseen\u003c\/i\u003e, \u003ci\u003eThe Model Apartment\u003c\/i\u003e, \u003ci\u003eThe Loman Family Picnic\u003c\/i\u003e, \u003ci\u003eWhat's Wrong with This Picture?\u003c\/i\u003e and \u003ci\u003eTime Stands Still\u003c\/i\u003e. 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