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Accepting this co-creative equality, we reveal a new role for literature, or a traditional role we’ve repressed: literature as a set of processes in time where we’ve thought feeling through stories about the lives of imaginary persons. We need these stories in order to practice emotions for when we return to the world from reading. Donald Wesling argues that to be more accurate in our dealings with stories, we require a grammar of this new recognition, where we build up traditional stylistics by a more careful tracking of emotion-states as these are set into writing.\u003cbr\u003eThe first half of \u003ci\u003eJoys and Sorrows of Imaginary Persons\u003c\/i\u003e offers a creative stock-taking of the current state of scholarship on emotion, based on wide reading in several fields. 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