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Eight-four songs (55 poems with 29 later versions) comprise this reading and playing edition, with modern literal prose translations of the poems by Stanley Appelbaum. No other one-volume edition of the famous songs is available; this volume offers authoritative complete scores, handsomely set with wide margins and strong binding, in a careful, accurate rendering of Goethe, at a price accessible to musicians, students, and all lovers of song.\u003cbr\u003eThe songs include four versions of Erlk nig (\u003ci\u003eThe Elf King\u003c\/i\u003e), singled out by \u003ci\u003eGroves Dictionary\u003c\/i\u003e for the wealth of harmonic resource, the structural unity of the song, the mounting tonal climaxes; musicologist Karl Schumann remarks that the lashing storm rhythm . . . a wild triplet variant of Schubert's characteristic walking rhythm, was to remain an important tonal symbol for many years leading up to the opening of Wagner's 'Die Walkyrie.' 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There yet remains the ineffable quality of textual illumination to which all of these factors are bent. \u003ci\u003eGrove's Dictionary of Music and Musicians\u003cbr\u003e\u003c\/i\u003eInspired by the verse of the German romantic poets, Franz Schubert achieved glittering fame as a creator of the nineteenth-century \u003ci\u003eLieder\u003c\/i\u003e long before public recognition of his symphonies assured his place in music. His collaborations with baritone Johann Michael Vogl were the rage of Viennese drawing rooms circa 1817, and by 1823, these concert parties in the homes of affluent merchants and civil servants were more popular than ever.\u003cbr\u003eIn ten years, Schubert composed over 600 \u003ci\u003eLieder, \u003c\/i\u003e whose charming melodies, harmonic invention, and depth of emotion rank them at the top of the form. 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