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Journalists and the media were instrumental in shedding light on Watergate and exposing political corruption at the highest levels of government. Watergate became part of American popular culture and synonymous with presidential corruption. This book surveys the background of the Watergate crisis and links it to contemporary American politics. \u003cp\u003e\u003c\/p\u003eThe first part of the book provides a narrative overview and examination of the Watergate crisis, with a consideration of what happened and why, and the relevance of Watergate to today's political issues. The book considers such topics as political corruption and impeachment, the role of the media, and the abuse of presidential power. 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We haven't had a new prime minister or monarch for ages, nor an extreme weather event worth recording (which of course is tempting fate). That big 'do' in London has been and gone without major incident, Leeds United has been relegated, and no-mow May has yielded a somewhat underwhelming range of offerings for pollinators this year (have to get a sustainability mention in, to sustain our eco-credentials).\u003c\/p\u003e\u003cp\u003eFrom out the still, misty waters of spring 2023 emerge, Nessie-like (or channelling Excalibur?), visions, ghosts, subconscious desires and fears in the form of Mermen, close encounters with Thor, holocaust survivors, bathers cursing in Welsh, new planets in the making. We meet a nameless (but adored) farm vehicle, dodge stray bombs, excavate human remains, say farewells, consume the world, avoid Jehovah's Witnesses, and learn how to get back into our bodies. We celebrate bagpipes and velvet underpants. We have an unusual number of villanelles. We have reflections on the process of writing (and performing). In the rich medley of offerings I am, as always, touched by the creativity, honesty, tenderness, rage, despair, and joy which you writers pin down on the page for us to read. We love fostering the community which is Dream Catcher.\u003c\/p\u003e\u003cp\u003eOn a more sombre note, the editorial\/publishing crew were stopped in our tracks by the passing of one of our number. We honour Clint Wastling, and dedicate this edition of Dream Catcher to his memory. Reflections from the editorial team may be found below.\u003c\/p\u003e\u003cp\u003eWe are delighted to welcome Will Kemp, a poet and short story writer especially well known to York folk, and also further afield, to the panel of 'readers' of your submissions. 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Both snow and apples (and, I guess, blackbirds) are modelling their ephemerality, and 'this too will pass' is a mood I have been trying to capture at a time of global chaos and catastrophe. Of course, due to confirmation bias, our choice of news media, what we see on our 'socials' (be it the burgeoning passage of Bluesky or pigeon post), and the conversations we have (or avoid) reflect our own interests and concerns. I know that whatever I write, both here and in my reviews, is going to be subjective. Equally subjective is the focus of our submissions for any given issue.\u003c\/p\u003e\u003cp\u003eIn terms of the zeitgeist of DC 50, a mood of nostalgia seems to have overtaken our writers. More recent wars are refracted into memoirs of WW1 and WW2; poets and storytellers share childhood experiences; teenage crushes; farewells to elderly parents; lost lovers, alongside some 'je ne regrets rien' moments; encounters with aliens and selkies, and medics giving unwelcome diagnoses. The poetry books reviewed also visit some important pages of the history book, and it was a special pleasure to commission Nick Allen to review Sarah Wimbush's \u003cem\u003estrike\u003c\/em\u003e, such an innovative example of Stairwell's publishing.\u003c\/p\u003e\u003cp\u003eOur guest for the second in our new feature of 'The Editor in Conversation with ...' is Emily Zobel Marshall: I hope you find it as illuminating as I did. I'd also like to extend a warm welcome and many thanks to Laura Strickland, a poet from the wilds of north Yorkshire, who has joined the editorial team. I've really enjoyed engaging with her in various poetry events and I am sure her insights and take on our submissions will be invaluable.\u003c\/p\u003e\u003cp\u003eTo the delight of the publishers, this issue's guest artist is Jake Attree, who they have known personally for many years, and for whom there was no humming and harring when suggested by Greg for this landmark issue.\u003c\/p\u003e\u003cp\u003eI hope you take as much delight as I did in the opening and closing poems, both of which caused my heart to soar; don't we all need a plumber like Geoff, and a poet like Julia to give Smart's poem such a witty new lease of life. And how I lived so long without knowing about 'thicc dads' and 'box mods', I don't know: every day a school day.\u003c\/p\u003e\u003cp\u003eFifty issues is A LOT of Dream Catcher, and I am indebted to Alan and Rose for their piece reflecting on this. 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Who knows what changes we will also face, as we launch into issue 51, 52, 53 ...? By way of continuity, the 'conversation with' features again a fine poet who has many strings to his bow, Ralph Dartford.\u003c\/p\u003e\u003cp\u003eA record number of poems in DC 51 seem to be 'after' (not in the sense of chronology, but infused or prompted by some other work - We blame Napowrimo). To quote Billy Collins, 'the trouble with poetry' is 'that it encourages the writing of more poetry.' Other writers, works of art, historical and life events have all inspired the contributions included here. Only in DC 51 will you meet drunks slumped on a bench in New York, an Obijwe hunter, the drowned sailors of a fishing boat, join in a conversation with a pillar holding up a motorway bridge, learn how to live among the dead, admire renaissance painting and engage with a fifteen century Scottish maker.\u003c\/p\u003e\u003cp\u003eSince antiquity, writers have riffed on how to make art which is new but also engages with subjects and experiences of perennial interest. Can we find fresh ways to express the eternal? Heraclitus claimed that no man ever steps in the same river twice, for it is neither the same river nor the same man (and if you are unconvinced by the agency of rivers, I refer you to Robert Macfarlane's latest book, Is A River Alive?). And so our stories and poems in DC 51 reveal that as time passes we may change, but we retain the desire to share ideas and to explore ways of 'telling it slant.' It is always a delight to sift through the issue and find the works that startle, grab your attention, provoke an 'ah, yes!' And each of the editorial team has particular tastes and desiderata, which we hope makes for a diverse whole. They also loved perhaps a little too much so this issue is 40% bigger than usual: sadly reflected in the sticker price when bought through distribution.\u003c\/p\u003e\u003cp\u003eJean Rhys saw all writing as 'a huge lake', fed by 'great rivers' such as Tolstoy or Dostoevsky, to which she contributed her 'mere trickles.' She felt that 'all that matters is feeding the lake.' This articulation of creativity as a shared enterprise is quoted in the eponymous monthly online poetry journal published by John Murphy. 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The usual eclectic mix of love, and death, and memory; bizarre electrical occurrences; apocalyptic scenarios, with the odd bit of nature, music, and the essence of poetry itself thrown in for good measure.\u003c\/p\u003e\u003cp\u003eIn this issue the Dream Catcher editorial team were invited to make a contribution and write about what it is they look for in a poem. While in the normal course of events, the editors are not allowed to contribute, a reasonable proscription to ensure fairness and probity. Now and again it is important to remind ourselves that the team are excellent writers and give selflessly of their time.\u003c\/p\u003e\u003cp\u003eThis Issue's artist is Imogen Hawgood who brings us images from Florida and the USA. There is something about the raw vitality of American architecture that draws British artists, especially to the south. 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