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Queer Images surveys a wide variety of films, individuals, and subcultures, including the work of discreetly homosexual filmmakers during Hollywood's Golden Age; classical Hollywood's (failed) attempt to purge 'sex perversion' from films; the development of gay male camp in Hollywood cinema; queer exploitation films and gay physique films; the queerness of 1960s Underground Film practice; independent lesbian documentaries and experimental films; cinematic responses to the AIDS crisis; the rise and impact of New Queer Cinema; the growth of LGBT film festivals; and how contemporary Hollywood deals with queer issues. This entertaining and insightful book reveals how the meaning of sexual identity-as reflected on the silver screen-has changed a great deal over the decades, and it celebrates both the pioneers and contemporary practitioners of queer film in America. 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The methodologies covered include:         ideological analysis auteur theory genre theory semiotics and structuralism psychoanalysis and apparatus theory feminism postmodernism cultural studies (including reception and audience studies) contemporary approaches to race, nation, gender, and sexuality.  With each chapter focusing on a distinct methodology, students are introduced to the historical developments of each approach, along with its vocabulary, significant scholars, key concepts and case studies.  Other features include:         Over 120 color images throughout Questions for discussion at the end of each chapter Suggestions for further reading A glossary of key terms.  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The first synthetic and historical text of its kind, \"America on Film\" provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality. The volume chronicles the cinematic history of various cultural groups, examines forces and institutions of bias, and stimulates discussion about the relationship between film and American national culture.Accessible and user-friendly, \"America on Film\" features 101 illustrations, a glossary of key terms, questions for discussion, and lists for further reading and further viewing. The book is organized within a broad historical framework, with specific theoretical concepts - including film genre, auteurism, cultural studies, Orientalism, the \"male gaze,\" feminism, and queer theory - integrated throughout. Each individual chapter features a concise overview of the topic at hand, a discussion of representative films, figures, and movements, and an in-depth analysis of a single film, including \"The Lion King\", \"The Jazz Singer\", \"Smoke Signals\", \"The Grapes of Wrath\", and \"The Celluloid Closet\".","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50090332782865,"sku":"CIN0631225838VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50246713409809,"sku":"CIN0631225838G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0631225838.jpg?v=1750944082"},{"product_id":"companion-to-the-horror-film-book-harry-m-benshoff-9781119335016","title":"A Companion to the Horror Film","description":"This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches.   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In this volume, author Harry M. Benshoff examines Dark Shadows, both during its initial run and as an enduring cult phenomenon, to prove that the show was an important precursor-or even progenitor-of today's phenomenally popular gothic and fantasy media franchises like Twilight, Harry Potter, and True Blood.  Benshoff demonstrates that viewers of all ages responded to the haunted world of Dark Shadows, making unlikely stars out of the show's iconic characters-reluctant vampire Barnabas Collins, playboy werewolf Quentin Collins, vengeful witch Angelique DuVal, and vampire hunter Dr. Julia Hoffman. Benshoff explores the cultural and industrial contexts of the mid-1960s that gave rise to Dark Shadows and how the show adapted nineteenth-century gothic novels and twentieth-century horror films into a televised serial format. Benshoff also examines the unique aspects of the show's casting and performance modes, its allure as a camp cult text, and the function of the show's many secondary and tertiary texts-including novels, records, games, comic books, and the two feature films, House of Dark Shadows (1970) and Night of Dark Shadows (1971).  In the years since its cancellation, Dark Shadows' enduring popularity has led to a prime-time NBC remake in the early 1990s, recent talk of a Tim Burton and Johnny Depp feature film, and a popular ongoing fan convention. 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