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Barber’s works have since become standard concert repertoire and continue to flourish across high art and popular culture. \u003cp\u003e Acclaimed biographer Howard Pollack (\u003ci\u003eAaron Copland\u003c\/i\u003e, \u003ci\u003eGeorge Gershwin\u003c\/i\u003e) offers a multifaceted account of Barber’s life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber’s path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the \u003ci\u003eAdagio for Strings\u003c\/i\u003e, the Violin Concerto, \u003ci\u003eKnoxville: Summer of 1915\u003c\/i\u003e for voice and orchestra, the Piano Concerto, and the operas \u003ci\u003eVanessa\u003c\/i\u003e and \u003ci\u003eAntony and Cleopatra\u003c\/i\u003e, stand alongside revealing accounts of the music’s commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber’s encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. 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