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Some essays take on wide-ranging issues such as Carpenter's approach to remakes and the question of genre, while others are organized around a specific theme or technical aspect of Carpenter's film-making. The text's key strength is that it draws upon an international group of scholars offering a variety of expertise. Films discussed include \u003ci\u003eAssault on Precinct 13\u003c\/i\u003e (1976), \u003ci\u003eHalloween\u003c\/i\u003e (1978) and its subsequent sequels, \u003ci\u003eEscape from New York\u003c\/i\u003e (1981), \u003ci\u003eEscape from L.A.\u003c\/i\u003e(1996), \u003ci\u003eThe Fog\u003c\/i\u003e (1980), \u003ci\u003eThe Thing\u003c\/i\u003e (1982), \u003ci\u003eVillage of the Damned\u003c\/i\u003e (1995) and \u003ci\u003eGhosts of Mars\u003c\/i\u003e(2001). 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