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In a recent (2021) review in Poetry Fortnight Peter Riley spoke of the ways Ian Davidson has worked with concerns about correspondence and hidden threat for a long time, mainly driven by socio-political concern and cultivating an awkwardness of address, sometimes like a sustained and suppressed anger which distorts the language, defining \"poetical\" as a refusal of detailed explicit connection. Sean Colleti, again reviewing in 2021 in Second City, speaks of the ways 'Great poetry gets you outside of yourself as much as it brings you back in ... Davidson's pamphlet does just that.'     Earlier reviews at the time of first publication of the work in this New and Selected Poems describes the work as 'some of the best political poetry this reader has encountered for a long time' (Chicago Review), as a 'spectacular mosaic' and an 'exhilarating journey' (Planet) and as 'nature poetry completely wired, plugged in and mediated' (The Gig). 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