{"title":"Ingo Gildenhard","description":"\u003cp\u003eDelve into the world of classics with Ingo Gildenhard. His insightful commentaries bring ancient texts to life, making them accessible and engaging for modern readers. Perfect for students and enthusiasts alike.\u003c\/p\u003e","products":[{"product_id":"virgil-aeneid-11-pallas-and-camilla-1-224-498-521-532-596-648-689-725-835-book-ingo-gildenhard-9781783746002","title":"Virgil, Aeneid 11, Pallas and Camilla, 1-224, 498-521, 532-596, 648-689, 725-835","description":"\u003cp\u003e\u003cstrong\u003eTailored to the OCR Latin AS and A Level specifications from 2019-2021\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the \u003cem\u003eAeneid\u003c\/em\u003e. Following the savage slaughter in \u003cem\u003eAeneid \u003c\/em\u003e10, the book opens in a mournful mood as the warring parties revisit yesterday's killing fields to attend to their dead. One casualty in particular commands attention: Aeneas' prot g  Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father Evander and his surrogate father Aeneas into heart-rending despair - and helps set up the foundational act of sacrificial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus' departure from the living is prefigured by that of his ally Camilla, a maiden schooled in the martial arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the final third of \u003cem\u003eAeneid \u003c\/em\u003e11, she wreaks havoc not just on the battlefield but on gender stereotypes and the conventions of the epic genre, before she too succumbs to a premature death. 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In the sixty odd years between the birth of the Second Empire and the rise of Nazism, German classics experienced particularly virulent ideological conflicts. Around 1880 a new generation of philologists began to challenge the liberal neo-humanism that had defined the discipline since Winckelmann. Drawing on novel source material and research methods they turned to the irrational transgressive and 'oriental' elements of ancient Greece. Though methodologically innovative, their comparative approach to Hellenic civilization in many ways reinforced the racist and anti-semitic discourses of fin-de-si cle Germany. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cem\u003eOut of Arcadia\u003c\/em\u003e presents a provocative re-evaluation of this transformative period. At its centre stand three figures - Burckhardt, Nietzsche and Wilamowitz - who played pivotal roles in the scholarly debate. A group of international experts takes a fresh look at the political agendas informing their works and the ways in which they contributed to the destruction of German philhellenism. \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003eE. Flaig Jacob Burckhardt \u003c\/strong\u003eGreek culture and modernity \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003eL. Gossman \u003c\/strong\u003ePer me si va nella citt  dolente: Burckhardt and the polis \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003eM. Ruehl\u003c\/strong\u003e Politeia 1871: Nietzsche contra Wagner on the Greek State \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003eA. U. Sommer \u003c\/strong\u003eOn the genealogy of the genealogical method: Overbeck, Nietzsche and the search for origins \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003eE. Flaig \u003c\/strong\u003eTowards 'Rassenhygiene' Wilamowitz \u0026amp; the German New Right \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003eS. 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Following the savage slaughter in \u003cem\u003eAeneid \u003c\/em\u003e10, the book opens in a mournful mood as the warring parties revisit yesterday's killing fields to attend to their dead. One casualty in particular commands attention: Aeneas' prot g  Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father Evander and his surrogate father Aeneas into heart-rending despair - and helps set up the foundational act of sacrificial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus' departure from the living is prefigured by that of his ally Camilla, a maiden schooled in the martial arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the final third of \u003cem\u003eAeneid \u003c\/em\u003e11, she wreaks havoc not just on the battlefield but on gender stereotypes and the conventions of the epic genre, before she too succumbs to a premature death. 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Destined to be the founder of Roman culture, Aeneas, nudged by the gods, decides to leave his beloved Dido, causing her suicide in pursuit of his historical destiny. A dark plot, in which erotic passion culminates in sex, and sex leads to tragedy and death in the human realm, unfolds within the larger horizon of a supernatural sphere, dominated by power-conscious divinities. Dido is Aeneas' most significant other, and in their encounter Virgil explores timeless themes of love and loyalty, fate and fortune, the justice of the gods, imperial ambition and its victims, and ethnic differences. This course book offers a portion of the original Latin text, study questions, a commentary, and interpretative essays. Designed to stretch and stimulate readers, Ingo Gildenhard's incisive commentary will be of particular interest to students of Latin at both A2 and undergraduate level. 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Following the savage slaughter in Aeneid 10, the book opens in a mournful mood as the warring parties revisit yesterday's killing fields to attend to their dead. One casualty in particular commands attention: Aeneas' prot g  Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father Evander and his surrogate father Aeneas into heart-rending despair - and helps set up the foundational act of sacrificial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus' departure from the living is prefigured by that of his ally Camilla, a maiden schooled in the martial arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the final third of Aeneid 11, she wreaks havoc not just on the battlefield but on gender stereotypes and the conventions of the epic genre, before she too succumbs to a premature death. 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All rights not granted by the work's license are retained by the author or authors.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52858440319249,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52858440909073,"sku":"NIN9781013292286","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781013292286.jpg?v=1765118630"}],"url":"https:\/\/www.worldofbooks.com\/en-gb\/collections\/author-books-by-ingo-gildenhard.oembed","provider":"World of Books ","version":"1.0","type":"link"}