{"title":"Jeremy Mark Robinson","description":"\u003cp\u003eDelve into the thought-provoking works of Jeremy Mark Robinson. His astute observations on art, culture, and society offer a uniquely insightful reading experience. Explore his diverse collection of essays and critical analyses.\u003c\/p\u003e","products":[{"product_id":"sacred-cinema-of-andrei-tarkovski-book-jeremy-mark-robinson-9781861710284","title":"The Sacred Cinema of Andrei Tarkovski","description":"THE SACRED CINEMA OF ANDREI TARKOVSKY \u003cp\u003e A major new study of Russian filmmaker Andrei Tarkovsky (1932-1986), director of seven feature films, including Mirror, Andrei Roublyov, Solaris and The Sacrifice. ?This book explores every aspect of Andrei Tarkovsky's output in the most detailed fashion - including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Tarkovsky's films are analyzed in depth, with scene-by-scene discussions. \u003c\/p\u003e \u003cp\u003e This is an important addition to film studies, the most painstaking study of Andrei Tarkovsky's work available. \u003c\/p\u003e \u003cp\u003e Contains 150 illustrations, of Tarkovsky's films, Tarkovsky at work, his contemporaries, and his favourite painters. \u003c\/p\u003e \u003cp\u003e Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist - at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky and Byzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences. \u003c\/p\u003e \u003cp\u003e As genre films, Andrei Tarkovsky's movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Only the greatest sci-fi films can match them: Metropolis, King Kong, Close Encounters of the Third Kind and 2001: A Space Odyssey. Tarkovsky happily and methodically rewrote the rules of the sci-fi genre: Stalker and Solaris are definitely not routine genre outings. They don't have the monsters, the aliens, the visual effects, the battles, the laser guns, the stunts and action set-pieces of regular science fiction movies. \u003c\/p\u003e \u003cp\u003e No one could deny that Andrei Roublyov is one of the greatest historical films to explore the Middle Ages, up there with The Seventh Seal, El Cid, The Navigator and Pier Paolo Pasolini's 'Life' trilogy. 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Tarkovsky's films are analyzed in depth, with scene-by-scene discussions. Fully illustrated. \u003c\/p\u003e \u003cp\u003e Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist - at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky and Byzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences. \u003c\/p\u003e \u003cp\u003e As genre films, Andrei Tarkovsky's movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Only the greatest sci-fi films can match them: Metropolis, King Kong, Close Encounters of the Third Kind and 2001: A Space Odyssey. 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Quite simply, there is no filmmaker quite like Borowczyk. Borowczyk's films have an astonishing, magical quality. They reach a place very rare in contemporary cinema, and are quite unlike the films of any other auteur. Borowczyk's films create their own space, with imagery, sounds and music of a really exceptional power. \u003c\/p\u003e \u003cp\u003e Jeremy Robinson discusses each Borowczyk film in detail, sometimes going through scenes shot by shot. \u003c\/p\u003e \u003cp\u003e Fully illustrated, with stills from Borowczyk's movies, and from the history of erotica, a bibliography, filmography and notes. 252pp. \u003c\/p\u003e \u003cp\u003e The text has been updated for this new (2nd) edition. www.crmoon.com EXTRACT FROM THE INTRODUCTION \u003c\/p\u003e\u003cp\u003e Goto: Island of Love was the first Walerian Borowczyk film that made a big impression on audiences and critics, winning a number of prizes. I first saw Goto: Island of Love in 1982, at Bournemouth Film School, when we watched 16mm prints as part of our film history programme. You could see there was an astonishing vision at work here. I remember above all the creation of a visceral, idiosyncratic and original world. \u003c\/p\u003e \u003cp\u003e If I had to single out some films, I'd cite Blanche, Immoral Tales, Behind Convent Walls, The Beast and Goto: Island of Love, for their painterly sense, the use of props and costumes, and the incredible attention to detail. Very stylish, mysterious, poetic. Not forgetting the acute awareness of the history of religion and literature. Borowczyk produced some of the most memorable images in European cinema, the equal of Ingmar Bergman, Sergei Paradjanov or Andrei Tarkovsky. \u003c\/p\u003e \u003cp\u003e AUTHOR'S NOTE: I spent a long time researching and compiling this book. It contains a huge amount of information on the amazing filmmaker Walerian Borowczyk, much of which is very, very hard to find. You have to really dig around to discover valuable information on Boro. The book relates Borowczyk to many other filmmakers and movies, from the European art movie tradition, but also the horror genre, and animation; it analyzes each of Borowcyk's movie in depth (from the sublime - Goto and Immoral Tales - to the downright terrible - Emmanuelle 5); it assesses the critical reception of Borowczyk, and the current perception of Borowcyk as a director; it contains many illustrations (some of which are rare); it considers Borowczyk's love of erotica (with illustrations); and it contains a useful bibliography and list of sources. \u003c\/p\u003e \u003cp\u003e Lastly, my book on Walerian Borowczyk is clearly written in an entertaining style, which I hope will encourage the reader to seek out some of Borowczyk's strange, lyrical, hallucinatory and erotic movies. 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Shirow's art is marked by futuristic, cyber-punk settings, fabulous, often eccentric designs, elaborate mecha (such as tanks and mobile suits), attractive warrior women and detailed storytelling (accompanied by his famous, sometimes arcane notes).\u003c\/p\u003e\u003cp\u003eThe Art of Masamune Shirow includes chapters on Shirow's signature works, Appleseed and Ghost In the Shell, and his lesser-known comics, such as Dominion: Tank Police, Orion, Black Magic and Neuro Hard; a biography; Shirow's relation to the Japanese manga industry; and themes such as cyberculture and cyber-punk fiction. The Appleseed comic and the three Ghost In the Shell comics are explored chapter by chapter.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFully illustrated, including many images from Masamune Shirow's whole output, the neglected comics, and Shirow's other works in print publishing, such as the Intron Depot series.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eHardcover - full colour laminate cover.\u003c\/p\u003e\u003cp\u003eBibliography, resources and notes. 376 pages.\u003c\/p\u003e\u003cp\u003ewww.crmoon.com\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49740340986129,"sku":"NGR9781861717955","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51053647790353,"sku":"NIN9781861717955","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52124859367697,"sku":"NLS9781861717955","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1861717954.jpg?v=1750931399"},{"product_id":"berserk-book-jeremy-mark-robinson-9781861718426","title":"Berserk","description":"B E R S E R KKENTARO MIURA: THE MANGA AND THE ANIM by Jeremy Mark RobinsonColor EditionThis is a study of the epic fantasy comic Berserk by Kentaro Miura, one of the greatest works of art in print form of any era. Berserk is a best-selling fantasy adventure manga in Japan and overseas. It has been published (in Young Animal Magazine from Hakusensha) since 1989 and is still not complete. Berserk, known as 'the Sistine Chapel of manga', is notable for its truly outstanding artwork and its compelling storytelling, centred on its brooding swordsman, Guts. Berserk is an entire history of the action-adventure genre; it features every permutation of every scenario found in action-based stories. It has battles, duels and monsters a-plenty. Berserk is also a whole history of the graphic possibilities of art; it's one of the celebrated works in comics publishing for its remarkable style, and can stand alongside the finest achievements of telling stories in printed form (such as the 19th century prints of Gustave Dor ). Miura-sensei is an artist's artist, completely dedicated to producing the highest quality of work. Berserk spoils the reader: after reading Berserk, pretty much everything, in any media, can seem disappointing. Berserk takes the reader to many places that are familiar (though not delivered in quite this way), and many scenarios that are unique to this comic. And Berserk is also a shojo manga, with teenage witches, mermaids, princesses, kings, magic and fairies (including the comical elf sidekick, Puck). In fact, in the chapters of Berserk published since around 2017, Guts and the gang have been holed up on Elf Island, a realm of fairies, elves, witches and wizards (it's Harry Potter and The Lord of the Rings combined with Japanese cherry blossom). And there's a striking lack of mass decapitations, severed limbs, disembowelled horses, gushing blood, slathering monsters and insane demi-gods. Berserk also contains one of the most astonishing set-pieces of sustained action and horror in comics, the Eclipse Ritual (a.k.a. the Night Festival). It's the highpoint of the manga. The imagination and artistry on display here is truly awesome. For some Berserk is too extreme - Kentaro Miura certainly goes all out  This book also examines the animated adaptations of Kentaro Miura's Berserk saga, starting with the anim  series of 1997-1998, through the movies of 2012-2013, up to the latest TV series of 2016-2017. In addition, there is a chapter on Miura's early manga (such as Japan and King of Wolves); his later pieces (such as Duranki and Gigantomakhia); a biography of Miura; and appendices looking at some of Miura's influences. Fully illustrated in color with over 270 illustrations, including images from Kentaro Miura's other manga, from the anim  productions, and from all of the Berserk comic. This is a revised edition of the first edition of May, 2021, including a new entry on the final chapter of Berserk, and 30 more pages of illustrations. Hardcover - full colour laminate cover with a colour jacket. 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Best-known for the Akira manga of 1982-90 and the Akira movie of 1988, Otomo is also an all-round artist who writes fiction, writes and directs short and feature movies, produces commercial art, and design projects. Among Otomo's works are the movies Steam-Boy, Mushishi, Metropolis, Memories and Roujin Z, and manga such as Domu, The Legend of Mother Sarah, Hansel and Gretel and Sayonara Japan. The works of Otomo have been celebrated with awards - he won the Kodansha Comic-Strip Award in 1984 for Akira, and the Science Fiction Grand Prix Award in 1983 for Domu. \u003c\/p\u003e \u003cp\u003e There are very few genuine auteurs in Japanese animation: the animation industry, like all filmmaking on a large scale, is truly collaborative. However, you can definitely see elements in the films directed and written and supervised by Katsuhiro Otomo that are auteurist: Otomo has his own style, visually, but also his own concerns, thematically, politically and psychologically. \u003c\/p\u003e \u003cp\u003e Akira is a giant of a movie that opens at full blast: this movie rocks from shot one. It really rocks - at a far higher level of intensity than any comparable movie, including all of the classics regularly trotted out as hi-octane movie-making. Akira is clearly one of those movies where the filmmakers have thrown everything they can think of into the mix, and it's a movie in which the filmmakers have given their all. \u003c\/p\u003e \u003cp\u003e Meanwhile, the manga of Akira exceeds all expectations - about storytelling, about what a comicbook or manga is, about how an action-adventure-fantasy story can work in a contemporary setting, and how a story can be genuinely thrilling, genuinely political, genuinely wild and epic. \u003c\/p\u003e \u003cp\u003e In short, Akira ticks all of the boxes: (a) it has action and spectacle in spades, (b) it has fascinating characters and situations, (c) it is incredibly exciting, (d) it is very unusual, sometimes downright eccentric and out-there, (e) it is highly politicized, (f) it has plenty to say about living in the modern world, about contemporary, advanced capitalist societies, and (g) it establishes its own world, its own raison d'etre, its own philosophy with supreme self-confidence. \u003c\/p\u003e \u003cp\u003e Akira is the manga to top all manga, to end all manga. 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In cinema, Masamune Shirow's influence is easy to spot in the Star Wars prequels, in the Matrix movies, in Avatar, in Minority Report, in the Avengers series, and in many a superhero flick. The Art of Masamune Shirow: Volume 1: Manga includes chapters on Shirow's two signature works, Appleseed and Ghost In the Shell, and his lesser-known comics, such as Dominion: Tank Police, Orion, Black Magic and Neuro Hard; entries on his early comics; a biography; Shirow's relation to the Japanese manga industry; how Shirow's comics have been adapted for television and movies; and themes such as cyberculture and cyber-punk fiction. The Appleseed comic (four volumes plus supplementary stories) and the three Ghost In the Shell comics are explored chapter by chapter. The stories of Shirow's are described in detail. 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Best-known for the Akira manga of 1982-90 and the Akira movie of 1988, Otomo is also an all-round artist who writes fiction, writes and directs short and feature movies, produces commercial art, and design projects. Among Otomo's works are the movies Steam-Boy, Mushishi, Metropolis, Memories and Roujin Z, and manga such as Domu, The Legend of Mother Sarah, Hansel and Gretel and Sayonara Japan. The works of Otomo have been celebrated with awards - he won the Kodansha Comic-Strip Award in 1984 for Akira, and the Science Fiction Grand Prix Award in 1983 for Domu. There are very few genuine auteurs in Japanese animation: the animation industry, like all filmmaking on a large scale, is truly collaborative. However, you can definitely see elements in the films directed and written and supervised by Katsuhiro Otomo that are auteurist: Otomo has his own style, visually, but also his own concerns, thematically, politically and psychologically. Akira is a giant of a movie that opens at full blast: this movie rocks from shot one. It really rocks - at a far higher level of intensity than any comparable movie, including all of the classics regularly trotted out as hi-octane movie-making. Akira is clearly one of those movies where the filmmakers have thrown everything they can think of into the mix, and it's a movie in which the filmmakers have given their all. Meanwhile, the manga of Akira exceeds all expectations - about storytelling, about what a comicbook or manga is, about how an action-adventure-fantasy story can work in a contemporary setting, and how a story can be genuinely thrilling, genuinely political, genuinely wild and epic. 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This new edition has 70 pages of new material, has been completely rewritten, has an expanded chapter on the Legend of Mother Sarah, and includes new chapters on World Apartment Horror and Freedom, new illustrations, and expanded entries on Otomo's manga and movies. Fully illustrated in colour, including many images from Otomo's whole output, the Akira movie, the Akira manga, Otomo's other works in comics and cinema, and Otomo's inspirations. Hardcover - full colour laminate cover, with a colour, wraparound jacket. This 3rd edition is revised, and contains 15 pages of new illustrations, all in colour. 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