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Featured figures include the Dowager Empress Cixi, the power behind the throne of the Qing dynasty for fifty years; Yu Rongling, the aristocratic daughter of a Qing diplomat who trained in Paris with Isadora Duncan and is now seen as one of the founders of modern dance in China; Shi Yang, the most powerful woman pirate in the world, celebrated in popular culture as a female icon; the Manchu-Chinese Duanfang, a lynchpin of late Qing government and an avid collector of international art, murdered by his own troops in the 1911 Revolution that ended dynastic rule; Luo Zhenyu, a pioneer of Chinese archaeology whose discoveries and research empirically confirmed the antiquity of Chinese civilization; and many others.    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Through the themes of people and places and a wealth of objects, this beautifully illustrated little book provides a concise and fascinating introduction to the Ming period. The colourful and rich nature of life for the emperors and their families within the vast palaces of Nanjing, Beijing and beyond is captured in the exquisite imperial portraits, paintings, costumes and jewellery. Beyond the courts, outdoor spaces were enjoyed by many people, and journeys into the countryside undertaken for different purposes. Parties were held in gardens with friends and sports such as football and golf kept people fit. Amongst other goods, Chinese porcelain and silk were highly regarded throughout the world at this time. The author looks at the main production centres, the extensive distribution networks, and the roles of craftsmen, salesmen and customers. As so much of our knowledge of Ming China derives from archaeology, tombs of royals and non-royals are featured and major finds from them illustrated. Religious sites - monasteries, temples and mosques - are also explored; rare surviving examples of architecture from the Ming period. The book concludes with an introduction to some of the imagined spaces of the Ming, including realms for various gods. 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Both the book and timeline are richly illustrated throughout with colour photographs, including numerous objects from the British Museums collections. The timeline stretches from prehistoric times, through the periods of the warring states, to the unification of China by the First Emperor Qin Shihuangdi (creator of the fantastic Terracotta Army), and the great dynasties that followed: the Han; the Sui; the Tang; the Song; the invading Mongols who founded the Yuan dynasty; the Ming; and the Qing, which ended with the last emperor Pu Yi, and the establishment in 1949 of the Peoples Republic of China. The small book offers supporting information and background. 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This catalogue presents another aspect of the conflict, as seen by Vietnamese artists who created the images of war from behind the lines. 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Innovation can be seen in material culture (including print, painting, calligraphy, textiles, fashion, jewellery, ceramics, lacquer, glass, arms and armour, silver, and photography) during a century in which China’s art, literature, crafts and technology faced unprecedented exposure to global influences.    1796 – the official end of the reign of the Qianlong emperor – is viewed as the close of the ‘high Qing’ and the start of a period of protracted crisis. In 1912, the last emperor, Puyi, abdicated after the revolution of 1911, bringing to an end some 2,000 years of dynastic rule and making way for the republic.    Until recently the 19th century in China has been often defined – and dismissed – as an era of cultural decline. 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