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In a nation founded upon agrarian principles, with a cultural and physical landscape as vast as it is diverse, the barn has long been recognized as an American icon. Drawn from the vast holdings of the Library of Congress, nearly 1,000 illustrations provide a tour of barns across the United States, from New England to the Great Lakes to the South, Midwest, and Far West.    Barns traces geographical and chronological continuities of type, design, and construction, and Dutch, German, French and Spanish influence. Captions identify each document and building, and all images are included on a CD-ROM with a link to the Library’s high-resolution files.    Barns is the first comprehensive visual resource of its kind, an invaluable tool for architects, historians, students, and all those who love barns.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50184935375121,"sku":"CIN0393730867VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50352700719377,"sku":"CIN0393730867G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0393730867.jpg?v=1750878003"},{"product_id":"charleston-blacksmith-book-john-michael-vlach-9780872498358","title":"Charleston Blacksmith","description":"\u003cp\u003e\u003ci\u003eCharleston Blacksmith\u003c\/i\u003e is a guidebook to the beautiful ironwork of Charleston created by the historic city's best-known blacksmith, Philip Simmons. Simmons's mastery of the craft and his love for the hammer and anvil are evident in more than one hundred photographs of his ironwork that are included in this book. Author John M. Vlach describes the methods, motifs, and materials employed in each piece and shares some of Simmons's personal recollections from the seventy years the blacksmith has spent perfecting his craft. A map of the city is included, giving both the location and a brief description of each creation by Simmons. 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It focuses on oil paintings, but includes consideration of watercolours, drawings, map illustrations, lithographs, and popular prints. Although 19th-century American landscapes typically were painted from a high vantage point, looking down from above, southern landscapes that featured plantations diverged from this convention in telling ways. Portraits of planters' landholdings were often depicted from a point below the plantation house, a perspective that directs the viewers' gaze upwards and, as John Vlach observes, echoes the deference and respect the planter class assumed was its due. Moreover, Vlach notes, slaves were rarely represented in plantation paintings made before the Civil War. After the war and the abolition of slavery, he argues, a wistful revisionism seems to have restored slaves - still toiling in the service of the masters - to the landscapes they had created and on which they were so cruelly mistreated. At the heart of this volume are six artists - Francis Guy, Charles Fraser, Adrien Persac, Currier \u0026amp; Ives chief artist Fanny Palmer, William Aiken Walker, and Alice Ravenel Huger Smith - whose collective body of work spans the period between 1800 and 1935 and documents plantations across the South, from Maryland to Louisiana.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51334917456145,"sku":"CIN0807826863VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0807826863.jpg?v=1751296754"},{"product_id":"by-the-work-of-their-hands-book-john-michael-vlach-9780813913667","title":"By the Work of Their Hands","description":"In this book the author aims to revolutionize our understanding of Afro-American material culture. Bringing to the essays his extensive research into the written, oral and material sources of Afro-American culture as well on his scholarly knowledge of folklife, social history, anthropology, and art history, Vlach presents the evidence of African influence on Black American folklife, both past and present. The 9 essays in the book are divided into three categories: folk arts and crafts, artisan's lives, and black buildings. They encompass a broad range of folklife, bringing together the fragmented pieces of African as well as Caribbean influence. From South Carolina to Texas, and from Louisiana to Virginia, Vlach provides both general surveys and specific case studies, and focuses not only on artifacts, but on the artisan's role as designer and maker. He examines various manifestations of African culture form direct retentions of African items to stylistic influences inherent in the creative philosophy, in the intellectual premises on which the artifact is designed. 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