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Plays, pamphlets and political treatises of this period display an increasingly xenophobic tendency to attribute England's ills to 'foreign bodies' such as Jews, Catholics and witches, as well as treat their allegedly 'poisonous' features for the health of the body politic. Harris argues that this tendency resonates with two of the distinctive paradigms of Paracelsus' pharmacy which also includes the notion that poison has a medicinal power. The emergence of these paradigms in early modern English political thought signals a decisive shift from Galenic humoral tradition towards twentieth-century politico-medical discourses of 'infection' and 'containment', which, like their early modern predecessors, make mysterious the domestic origins of social conflict and the operations of political authority.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52121260622097,"sku":"NLS9780521034685","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780521034685.jpg?v=1757429895"},{"product_id":"foreign-bodies-and-the-body-politic-book-jonathan-gil-harris-9780521594059","title":"Foreign Bodies and the Body Politic","description":"Jonathan Gil Harris examines the origins of modern discourses of social pathology in Elizabethan and Jacobean medical and political writing. 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In Renaissance culture, however, the dominant bodily metaphors for national wealth and economy were derived from the relatively new language of infectious disease. Whereas traditional Galenic medicine had understood illness as a state of imbalance within the body, early modern writers increasingly reimagined disease as an invasive foreign agent. The rapid rise of global trade in the sixteenth century, and the resulting migrations of people, money, and commodities across national borders, contributed to this growing pathologization of the foreign; conversely, the new trade-inflected vocabularies of disease helped writers to represent the contours of national and global economies.  Grounded in scrupulous analyses of cultural and economic history, Sick Economies: Drama, Mercantilism, and Disease in Shakespeare's England teases out the double helix of the pathological and the economic in two seemingly disparate spheres of early modern textual production: drama and mercantilist writing. Of particular interest to this study are the ways English playwrights, such as Shakespeare, Jonson, Heywood, Massinger, and Middleton, and mercantilists, such as Malynes, Milles, Misselden, and Mun, rooted their conceptions of national economy in the language of disease. Some of these diseases-syphilis, taint, canker, plague, hepatitis-have subsequently lost their economic connotations; others-most notably consumption-remain integral to the modern economic lexicon but have by and large shed their pathological senses.  Breaking new ground by analyzing English mercantilism primarily as a discursive rather than an ideological or economic system, Sick Economies provides a compelling history of how, even in our own time, defenses of transnational economy have paradoxically pathologized the foreign. 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