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But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists--including Bosch's notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner's A. W. 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His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective--one in which, as Freidrich wrote, the painter depicts not what he sees before him, but what he sees within him. This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic. \u003c\/p\u003e\u003cp\u003e Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters.\u003c\/p\u003e\u003cp\u003e This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . 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His melancholy landscapes, often peopled by lonely wanderers, represent experiments towards a radically subjective art, one in which, as Friedrich wrote, the painter depicts not ‘what he sees before him, but what he sees within him.’ Yet in their awesome power to capture the individuality of visible forms Friedrich’s pictures also accept and express the irredeemable otherness of Nature.  Winner of the 1992 Mitchell Prize for the History of Art, this compelling, highly original and beautifully illustrated book is the most comprehensive account ever published in English on this most fascinating of nineteenth-century masters.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50133462319377,"sku":"GOR003776469","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":51552481313041,"sku":"GOR005800033","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0948462426.jpg?v=1750851418"},{"product_id":"reformation-of-the-image-book-joseph-leo-koerner-9780226448374","title":"The Reformation of the Image","description":"Martin Luther preached the radical notion that we are saved through faith alone. With one stroke, he overturned a thousand years of practice and teaching. Gone was the need for saintly intercessors and a special priesthood or the richly decorated and image-filled churches in which such mediation could take place. What counted now was faith arriving inwardly, in each individual, through the text of the Bible - the naked Word of God itself. But if words - not iconic images - led the believer to salvation, why didn't religious imagery disappear during the Reformation? The answer, according to Joseph Leo Koerner's masterful \"The Reformation of the Image\", lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. According to Koerner, it is this \"iconoclash\" that characterizes Reformation art. \"The Reformation of the Image\" compellingly shows how visual art became indispensable to a religious movement built on words. 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What signals do artists send when enemies are at the city walls and the rule of law breaks down, or when a tyrant suspends the law to attack from inside? Art in a State of Siege tells the story of three compelling images created in dangerous moments and the people who experienced them—from Philip II of Spain to Carl Schmitt—whose panicked gaze turned artworks into omens.  Acclaimed art historian Joseph Koerner reaches back to the eve of iconoclasm and religious warfare to explore the most elusive painting ever painted. In Hieronymus Bosch’s Garden of Delights, enemies are everywhere: Jews and Ottomans at the gates, witches and heretics at home, sins overtaking the mind. Following a paper trail leading from Bosch’s time to World War II, Koerner considers a monumental self-portrait painted by Max Beckmann in 1927. Created when Germany was often governed by emergency decree, this image brazenly claimed to decide Europe’s future—until the Nazis deemed it to be a threat to the German people. For South African artist William Kentridge, Beckmann exemplified “art in a state of siege.” Koerner shows how his work served as beacon during South Africa’s racialist apartheid rule and inspired Kentridge’s breakthrough animations of drawings being made, erased, and remade.  Spanning half a millennium but urgent today, Art in a State of Siege reveals how, in dire straits, art becomes the currency of last resort.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51005745398033,"sku":"NIN9780691267210","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51098626785553,"sku":"NGR9780691267210","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51209964814609,"sku":"GOR014199925","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51272524202257,"sku":"CIN0691267219G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":53471888277777,"sku":"CIN0691267219VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0691267219.jpg?v=1750977326"},{"product_id":"moment-of-self-portraiture-in-german-renaissance-art-book-joseph-leo-koerner-9780226449999","title":"The Moment of Self-Portraiture in German Renaissance Art","description":"In this groundbreaking and elegantly written study, Joseph Koerner establishes the character of Renaissance art in Germany. 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