{"title":"Joshua Chambers-Letson","description":null,"products":[{"product_id":"race-so-different-book-joshua-chambers-letson-9780814769966","title":"A Race So Different","description":"Winner of the 2014 Outstanding Book Award presented by the Association for Theatre in Higher Education  Taking a performance studies approach to understanding Asian American racial subjectivity, Joshua Takano Chambers-Letson argues that the law influences racial formation by compelling Asian Americans to embody and perform recognizable identities in both popular aesthetic forms (such as theater, opera, or rock music) and in the rituals of everyday life. Tracing the production of Asian American selfhood from the era of Asian Exclusion through the Global War on Terror, A Race So Different explores the legal paradox whereby U.S. law apprehends the Asian American body as simultaneously excluded from and included within the national body politic.      Bringing together broadly defined forms of performance, from artistic works such as Madame Butterfly to the Supreme Court's oral arguments in the Cambodian American deportation cases of the twenty-first century, this book invites conversation about how Asian American performance uses the stage to document, interrogate, and complicate the processes of racialization in U.S. law. Through his impressive use of a rich legal and cultural archive, Chambers-Letson articulates a robust understanding of the construction of social and racial realities in the contemporary United States.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50413420380433,"sku":"CIN0814769969G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52435261718801,"sku":"NLS9780814769966","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53035326472465,"sku":"NIN9780814769966","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814769969.jpg?v=1763220056"},{"product_id":"after-the-party-book-joshua-chambers-letson-9781479832774","title":"After the Party","description":"Winner, 2019 ATHE Outstanding Book Award, given by the Association for Theatre in Higher Education  Winner, 2018 Errol Hill Award in African American theater, drama, and\/or performance studies, presented by the American Society for Theatre Research  A new manifesto for performance studies on the art of queer of color worldmaking.   After the Party tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the exemplary work of Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, Eiko, and Tseng Kwong Chi, and with additional appearances by Nao Bustamante, Audre Lorde, Martin Wong, Assata Shakur, and Nona Faustine, After the Party considers performance as it is produced within and against overlapping histories of US colonialism, white supremacy, and heteropatriarchy. Building upon the thought of José Esteban Muñoz alongside prominent scholarship in queer of color critique, black studies, and Marxist aesthetic criticism, Joshua Chambers-Letson maps a portrait of performance's capacity to produce what he calls a communism of incommensurability, a practice of being together in difference.   Describing performance as a rehearsal for new ways of living together, After the Party moves between slavery, the Civil Rights Movement, the first wave of the AIDS crisis, the Vietnam War, and the catastrophe-riddled horizon of the early twenty-first century to consider this worldmaking practice as it is born of the tension between freedom and its negation. With urgency and pathos, Chambers-Letson argues that it is through minoritarian performance that we keep our dead alive and with us as we struggle to survive an increasingly precarious present.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51029076869393,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51029080342801,"sku":"NIN9781479832774","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52584180810001,"sku":"NLS9781479832774","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1479832774.jpg?v=1763127566"},{"product_id":"who-is-queen-2-joshua-chambers-letson-michael-hardt-book-joshua-chambers-letson-9781734681734","title":"Who Is Queen? 2: Joshua Chambers-Letson, Michael Hardt","description":"Performance studies scholar Joshua Chambers-Letson and political philosopher Michael Hardt discuss the politics of love and the composition of social movements  Published on the occasion of Adam Pendleton: Who Is Queen? at the Museum of Modern Art, New York, the book series Who Is Queen? adapts conversations between pairs of notable writers, theorists, philosophers and musicians into contrapuntal texts intertwined with archival photographs and additional writings. Joshua Chambers-Letson (born 1980) is professor of performance studies at Northwestern University, author of After the Party: A Manifesto for Queer of Color Life (2018) and A Race So Different: Law and Performance in Asian America (2013), and coeditor with Tavia Nyong’o of José Esteban Muñoz’s The Sense of Brown (2020). Michael Hardt (born 1960) teaches at Duke University, where he is codirector of the Social Movements Lab. Among the books he has coauthored with Antonio Negri are Empire (2000) and, most recently, Assembly (2017).","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51632590979345,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51632591307025,"sku":"NGR9781734681734","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52145556947217,"sku":"NLS9781734681734","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52754144624913,"sku":"NIN9781734681734","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/173468173X.jpg?v=1751247273"},{"product_id":"race-so-different-book-joshua-chambers-letson-9780814738399","title":"A Race So Different","description":"Winner of the 2014 Outstanding Book Award presented by the Association for Theatre in Higher Education  Taking a performance studies approach to understanding Asian American racial subjectivity, Joshua Takano Chambers-Letson argues that the law influences racial formation by compelling Asian Americans to embody and perform recognizable identities in both popular aesthetic forms (such as theater, opera, or rock music) and in the rituals of everyday life. Tracing the production of Asian American selfhood from the era of Asian Exclusion through the Global War on Terror, A Race So Different explores the legal paradox whereby U.S. law apprehends the Asian American body as simultaneously excluded from and included within the national body politic.      Bringing together broadly defined forms of performance, from artistic works such as Madame Butterfly to the Supreme Court's oral arguments in the Cambodian American deportation cases of the twenty-first century, this book invites conversation about how Asian American performance uses the stage to document, interrogate, and complicate the processes of racialization in U.S. law. Through his impressive use of a rich legal and cultural archive, Chambers-Letson articulates a robust understanding of the construction of social and racial realities in the contemporary United States.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52425524576529,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52425525362961,"sku":"NLS9780814738399","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814738399.jpg?v=1761388245"},{"product_id":"after-the-party-book-joshua-chambers-letson-9781479890170","title":"After the Party","description":"Winner, 2019 ATHE Outstanding Book Award, given by the Association for Theatre in Higher Education  Winner, 2018 Errol Hill Award in African American theater, drama, and\/or performance studies, presented by the American Society for Theatre Research  A new manifesto for performance studies on the art of queer of color worldmaking.   After the Party tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the exemplary work of Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, Eiko, and Tseng Kwong Chi, and with additional appearances by Nao Bustamante, Audre Lorde, Martin Wong, Assata Shakur, and Nona Faustine, After the Party considers performance as it is produced within and against overlapping histories of US colonialism, white supremacy, and heteropatriarchy. Building upon the thought of José Esteban Muñoz alongside prominent scholarship in queer of color critique, black studies, and Marxist aesthetic criticism, Joshua Chambers-Letson maps a portrait of performance's capacity to produce what he calls a communism of incommensurability, a practice of being together in difference.   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Drawing from queer of color critique, performance studies, Asian American studies, and Black studies, Chambers-Letson explores how love and loss are inseparable conditions of queer life. Engaging artists including Yoko Ono, Gertrude Stein, Bimbola Akinbola, Felix Gonzalez-Torres, Joshua Rains, and Kia LaBeija, he considers the lessons art and performance teach about living with what remains unfinished.\u003cbr\u003e\u003cbr\u003eSet against the backdrop of public and private catastrophe, from war and pandemics to the ravages of racial capitalism, \u003ci\u003eUnfinished Grief\u003c\/i\u003e insists that mourning and political struggle are entwined practices. Through sensuous, reflective prose and a deeply personal critical voice, Chambers-Letson reveals how grief can be both a sustaining and shattering site of vulnerability, creativity, and communal becoming. 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