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Jackson probes the Shakespearean texts from the vantage of modern theology and critical theory, while also orienting them toward the traditions concerning Abraham in Jewish, Pauline, patristic, medieval, and Reformation sources and early English drama. Consequently, the playwright's \"Abrahamic explorations\" become strikingly apparent in unexpected places such as the \"trial\" of Shylock in The Merchant of Venice and the bifurcated structure of Timon of Athens. 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