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Tied to his shrill and sickly wife by her purse strings, he enters timidly into a love affair with Serafina, a seductive second-rate opera singer, encouraged by her manager who mistakes Bonifacio for a potential patron. Meanwhile, Bonifacio's wife experiences a parallel awakening and in the midst of a long-barren marriage, surprises them both with a son-but is it Bonifacio's? In the accompanying novella, \u003ci\u003eDona Berta\u003c\/i\u003e, the heroine of the title, an aged, poor, but well-born woman, forfeits her beloved estate in search of a portrait that may be all that remains of the secret love of her life.\u003cbr\u003e \u003cbr\u003e While largely unknown outside of Spain, Leopoldo Alas was one of the most celebrated writers of criticism in nineteenth-century Spain and employed his satirical talents to powerful and humorous effect in fiction. \u003ci\u003eHis Only Son\u003c\/i\u003e was Alas's second and final novel, full of characteristic humor, naturalistic detail, descriptive beauty, and moral complexity. 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Influido por la escuela naturalista fundamentada en Zola y Maupassant, pero anclado aún en argumentos románticos, Leopoldo Alas «Clarín» escribió la que ha sido considerada como la mejor novela del siglo XIX español.\u003cbr\u003e \u003cbr\u003e Esta edición incluye una introducción que contextualiza la obra, un aparato de notas, una cronología y una bibliografía esencial, así como también varias propuestas de discusión y debate en torno a la lectura. Estuvo a su cuidado Gregorio Torres Nebrera, catedrático de literatura española de la Universidad de Extremadura.\u003cbr\u003e \u003cbr\u003e \u003cb\u003e«Cuanto más nos acercamos al término de nuestra ambición, más distante parece el objeto deseado.»\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cb\u003eENGLISH DESCRIPTION\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Married to the retired magistrate of Vetusta, Ana Ozores cares deeply for her much older husband but feels stifled by the monotony of her life in the shabby and conservative provincial town. And when she embarks on a quest for fulfillment through religion and even adultery, a bitter struggle begins between a powerful priest and a would-be Don Juan for the passionate young woman's body and soul. 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Harassed by the local seducer, Alvaro Mesia, and by the local cathedral's Dean, don Fermin de Pas, Ana finally rejects the priest and falls for Alvaro. Don Victor discovers the treason and, pushed by don Ferm-n, challenges Alvaro to a duel, where he is deadly wounded and finally dies. The novel is exquisite in its careful and detailed depiction of the provincial background, and the complex interweaving of the different social classes, an approach covered in depth by the traditional literary critique in the numerous forewords to the various editions. The present edition, however, proposes a different approach. With the help of gender studies and feminist theory, it concentrates on the main character, Ana Ozores, to unearth the complexity of her personality, from her supposed hysteria and her mystical bouts to her thirst for freedom and agency. The introduction to this critical edition carefully looks at the semantics underlying Ana Ozores's circumstances and actions, and decodes them as solid proofs of an early feminism. La Regenta belongs to the illustrious European cycle of novels centered on feminine adultery, as Leon Tolstoi's Ana Karenina, Theodor Fontane's Effi Briest, Gustave Flaubert's Madame Bovary, Emile Zola's La conqu'te de Plassans, (to which it resembles most) and Ea de Queiroz's O Primo Basilio. However, the second and innovative objective of this edition is to highlight the clear connections of La Regenta, not so much with the foreign novels abovementioned, but with the Spanish novel El Cura. Caso de Incesto by Eduardo Lopez Bago, a contemporary writer with whom Clar-n also shared the taste for radical naturalism. Both novels share common ground, and elaborate on the cultural stereotype of (male) ecclesiastical sin coupled with (female) hysteria. La Regenta, however, adds complexity and nuance to El cura. 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