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With a focus on the roles played by styles and archives—in their physical and metaphorical manifestations—this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. 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With a distinctive body of work that unfolded during key moments in comics history from the much touted and criticized ‘coming-of-age’ of comics to the rise of underground and alternative comics and the establishment of graphic novels, Barry’s comics reflect the changing status of comics, while unpacking the very constituents of the medium and testing its limits.   Comprehensive and conveying specialist knowledge while remaining highly readable, Lynda Barry: A Critical Guide covers:   - comics history from an alternative perspective, focusing on issues of intersectionality and representation  - Barry’s major works including One Hundred Demons, What It Is, Making Comics, Syllabus, Cruddy and her comic strip Ernie Pook's Comeek  - broad and salient themes in Barry’s work including memory, girlhood\/womanhood, childhood, art pedagogy, creativity, overcoming creative anxieties, visual paper culture and the possibilities of drawing and collaging - Barry’s materialities and her use of collage and art brut practices  - Barry's prompts to creativity and connection and how they highlight the collaborative and accessible dimension of comics   Combining rich insights from comics studies, literary theory and visual culture, this is the ultimate guide to Lynda Barry and her oeuvre. This critical guide exemplifies the diverse ways of approaching comics, combining existing methodologies with novel possibilities inspired from the originality of Barry’s work.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":52100916707601,"sku":"NGR9781350453685","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":53347240214801,"sku":"NLS9781350453685","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781350453685.jpg?v=1759834041"},{"product_id":"lynda-barry-book-maaheen-ahmed-9781350453678","title":"Lynda Barry","description":"A complete introduction to the comics and graphic narratives of Lynda Barry, this book maps the historical and biographical contexts, key texts, the critical themes and debates surrounding her publications and the lasting impact of her work on the comics medium. With a distinctive body of work that unfolded during key moments in comics history from the much touted and criticized ‘coming-of-age’ of comics to the rise of underground and alternative comics and the establishment of graphic novels, Barry’s comics reflect the changing status of comics, while unpacking the very constituents of the medium and testing its limits.   Comprehensive and conveying specialist knowledge while remaining highly readable, Lynda Barry: A Critical Guide covers:   - comics history from an alternative perspective, focusing on issues of intersectionality and representation  - Barry’s major works including One Hundred Demons, What It Is, Making Comics, Syllabus, Cruddy and her comic strip Ernie Pook's Comeek  - broad and salient themes in Barry’s work including memory, girlhood\/womanhood, childhood, art pedagogy, creativity, overcoming creative anxieties, visual paper culture and the possibilities of drawing and collaging - Barry’s materialities and her use of collage and art brut practices  - Barry's prompts to creativity and connection and how they highlight the collaborative and accessible dimension of comics   Combining rich insights from comics studies, literary theory and visual culture, this is the ultimate guide to Lynda Barry and her oeuvre. 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Ahmed delineates the visual, literary, and other medium-specific features used by comics to form open rather than closed works, methods by which comics generate or limit meaning as well as increase and structure the scope of reading into a work.  Ahmed analyzes a diverse group of British, American, and European (Franco-Belgian, German, Finnish) comics. She treats examples from the key genre categories of fictionalized memoirs and biographies, adventure and superhero, noir, black comedy and crime, science fiction and fantasy. Her analyses demonstrate the ways in which comics generate openness by concentrating on the gaps essential to the very medium of comics, the range of meaning ensconced within words and images as well as their interaction with each other.  The analyzed comics, extending from famous to lesser known works, include Will Eisner's The Contract with God Trilogy, Jacques Tardi's It Was the War of the Trenches, Hugo Pratt's The Ballad of the Salty Sea, Edmond Baudoin's The Voyage, Grant Morrison and Dave McKean's Arkham Asylum, Neil Gaiman's Sandman series, Alan Moore and Eddie Campbell's From Hell, Moebius's Arzach, Yslaire's Cloud 99 series, and Jarmo Mäkilä's Taxi Ride to Van Gogh's Ear.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52654057062673,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52654057455889,"sku":"NLS9781496805935","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781496805935.jpg?v=1763481420"},{"product_id":"comics-and-childrens-magazines-book-maaheen-ahmed-9781041245407","title":"Comics and Children’s Magazines","description":"Comics and serial print have a long, closely intertwined history, with the earliest comics proliferating in newspapers before gradually migrating to children’s magazines. 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It covers the impact of American comics on the Corriere dei Piccoli magazines from the 1920s and 1930s, forms of editorial communication in French and Belgian magazines from the 1930s and 1940s, the interplay of artistic pursuit, commercial needs, and national identity in the American Camera Comics from the mid-1940s, the comics scare in Italy read through the Italian Western comic Pecos Bill, the changing editorial policies of French magazine Lisette, and the construction of post-war national identity in Greek comics.  This book will be of great interest to comic and children’s literature enthusiasts along with researchers of comic studies, cultural studies, literature and art. 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