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Magic Eye has long been a worldwide hit. Besides North America, Japan has been a highly receptive market for the Magic Eye way of seeing. Magic Eye Inc. has already produced a similar scientific-based book for that market - with a notable reception. Beyond 3D promises to bring its benefits to a wider audience, a group eager to experience results ranging from reduced computer eyestrain and diminished stress levels to improved overall vision and lengthened attention spans. 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Rather than lecturing about when to use \u003ci\u003ewho \u003c\/i\u003eor \u003ci\u003ewhom\u003c\/i\u003e, this book focuses on writing clear, concise, and lively prose: eliminating wordiness, using active verbs, avoiding run-on sentences. John Marsh applies his experience grading over 5,000 essays over a quarter century as a teacher to take readers through the issues he most commonly sees. While Marsh teaches in the humanities, the advice applies to writing regardless of discipline. \u003cp\u003e\u003c\/p\u003e Using examples from papers students might actually write, the book invites readers to apply what they have learned to quizzes that mix and match issues--vague pronouns, sentence fragments, punctuating quotations--from previous chapters. The book includes a thoughtful discussion about balancing the competing demands of writing well and fighting linguistic discrimination. 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Within Jewish society, and particularly Eastern European Jewish society, modernity was often experienced as a series of incursions and threats to traditional Jewish life. Writers explored these perceived crises in their work, in the process reconsidering the role and function of Yiddish literature itself.\u003cbr\u003eThe orientation of nineteenth-century Yiddish fiction toward the shtetl came into conflict with the sense of reality of young writers, who felt themselves part of a rapidly changing modern urban environment. This opposition between the generations was reflected in their principles of plot construction. The conservatives employed cyclical patterns, producing mythological schemes for incorporating the new experience into the traditional order. 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Then she concentrates on the least studied aspects of the treatise in order to reveal its profound affiliations with late medieval grammatical investigations--it is possible to see in Dante a grammarian beneath the poet. Her conclusion summarizes the apparent textual contradictions and the significance. 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