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Blake's reputation from the outset was based on working across all media. Though primarily a painter, he has produced collages, drawings, watercolours, sculpture, prints, as well as commercial art in the form of graphics and album covers, most notably his design for The Beatles' Sgt Pepper album in 1967.  Peter Blake: one man show considers the artist's remarkable diversity, assessing his work across all media, from the 1950s to the present.  Marco Livingstone grounds Blake's art firmly in the working-class existence that he led as a child and a teenager, identifying a yearning for the innocence of childhood in Blake's bittersweet paintings of the early to mid-1950s depicting children reading comics or going to the Saturday matinee at the cinema. From that moment, while studying at the Royal College of Art in London, Blake concerned himself with popular entertainments as subject matter, and as the source of formal solutions, for his paintings.  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Despite his forays into a range of more experimental media, Blake sees figurative painting as the core of his work, the trunk of a tree whose branches include excursions into Pop Art, collage, sculpture, graphics and printmaking. 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