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This authoritative guide leads you through the work of 25 major contemporary American playwrights, discussing more than 140 plays in detail.  Written by a team of 25 eminent international scholars, each chapter provides:   ·         a biographical introduction to the playwright’s work;    ·         a survey and concise analysis of the writer's most important plays;    ·         a discussion of their style, dramaturgical concerns and critical reception;    ·         a bibliography of published plays and a select list of critical works.   Among the many Tony, Obie and Pulitzer prize-winning playwrights included are Sam Shepard, Tony Kushner, Suzan-Lori Parks, August Wilson, Paula Vogel and Neil LaBute.  The abundance of work analysed enables fresh, illuminating conclusions to be drawn about the development of contemporary American playwriting.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52121160646929,"sku":"NLS9781472520074","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781472520074.jpg?v=1757429420"},{"product_id":"theory-matters-book-martin-middeke-9781137474278","title":"Theory Matters","description":"This book demonstrates that theory in literary and cultural studies has moved beyond overarching master theories towards a greater awareness of particularity and contingency – including its own. What is the place of literary and cultural theory after the Age of Theory has ended?  Grouping its chapters into rubrics of metatheory, cultural theory, critical theory and textual theory, the collection demonstrates that the practice of “doing theory” has neither lost its vitality nor can it be in any way dispensable. 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This volume considers the variety of theatre forms, and the work of the major playwrights and theatre makers producing work in democratic South Africa. It offers an overview of theatre pioneers and theatre forms in Part One, before concentrating on the work of individual playwrights in Part Two. Through its wide-ranging survey of indigenous drama written predominantly in the English language and the analysis of more than 100 plays, a detailed account is provided of post-apartheid South African theatre and its engagement with the country’s recent history.  Part One offers six overview chapters on South African theatre pioneers and theatre forms. These include consideration of the work of artists such as Barney Simon, Mbongeni Ngema, Phyllis Klotz; the collaborations of William Kentridge and the Handspring Puppet Company; the work of Magnet Theatre, and of physical and popular community theatre forms.  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