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Though they yearned for liberation, the people of Normandy steeled themselves for further warfare, knowing that their homes, land, and fellow citizens would have to bear the brunt of the attack. In D-Day through French Eyes, Mary Louise Roberts resets our view of the usual stories of that momentous operation, taking readers across the Channel to view the invasion anew. Roberts builds her history from an impressive range of gripping first-person accounts from French citizens, reinvigorating a story we thought we knew. 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The resulting chaos-ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease - horrified the battered and demoralized French population and caused serious friction between the two nations at a crucial point as the war drew to a close.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49941683601681,"sku":"CIN0226923118G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50418833555729,"sku":"CIN0226923118VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50422311289105,"sku":"GOR009252321","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51000227627281,"sku":"NIN9780226923116","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226923118.jpg?v=1750940934"},{"product_id":"d-day-through-french-eyes-book-mary-louise-roberts-9780226136998","title":"D-Day Through French Eyes","description":"Like big black umbrellas, they rain down on the fields across the way, and then disappear behind the black line of the hedges. Silent parachutes dotting the night sky - that's how one woman in Normandy in June of 1944 learned that the D-Day invasion was under way. Though they yearned for liberation, the French in Normandy nonetheless had to steel themselves for war, knowing that their homes and land and fellow citizens would have to bear the brunt of the attack. Already battered by years of Nazi occupation, they knew they had one more trial to undergo even as freedom beckoned. With D-Day through French Eyes, Mary Louise Roberts turns the usual stories of D-Day around, taking readers across the Channel to view the invasion anew. Roberts builds her history from an impressive range of gripping first-person accounts of the invasion as seen by French citizens throughout the region. A farm family notices that cabbage is missing from their garden - then discovers that the guilty culprits are American paratroopers hiding in the cowshed. Fishermen rescue pilots from the wreck of their B-17, only to struggle to find clothes big enough to disguise them as civilians. A young man learns how to estimate the altitude of bombers and to determine whether a bomb was whistling overhead or silently headed straight for them. In small towns across Normandy, civilians hid wounded paratroopers, often at the risk of their own lives. When the allied infantry arrived, they guided soldiers to hidden paths and little-known bridges, giving them crucial advantages over the German occupiers. Through story after story, Roberts builds up an unprecedented picture of the face of battle as seen by grateful, if worried, civilians. As she did in her acclaimed account of GIs in postwar France, What Soldiers Do, Roberts here reinvigorates and reinvents a story we thought we knew. 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All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly \"masculine\" work outside the home. Mary Louise Roberts examines a constellation of these famous new women active in journalism and the theatre, including Marguerite Durand, founder of the women's newspaper \"La Fronde\"; the journalists Severine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of \"La Fronde\" itself was such an act, because it demonstrated that women could write just as well about the same subjects as men - even about the volatile Dreyfus Affair. When female reporters for \"La Fronde\" put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. 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