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Cutting across disciplinary and national boundaries, the articles highlight Jewry's encounter with modernity from the late nineteenth to the mid-twentieth centuries. 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This book investigates the way in which Zionism was received by bourgeois west European Jews from 1897 to 1914, with regard to the movement's approach towards those who were not seen as potential immigrants to Palestine. The author shows that Zionists were able to 'nationalise' parts of western Jewry by drawing on the liberal view of nationalism which had spawned Jewish emancipation, which enabled them to become part of the imagined nation without overriding their European loyalties. 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He pays particular attention to the symbolism, artistic representations and mythology which attracted European Jews to Zionism, which co-existed equally with the nationalisms of their home countries. 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Michael Berkowitz studies the contributions of humorist and best-selling author Leo Rosten (The Joys of Yiddish, The Education of H*Y*M*A*N* K*A*P*L*A*N) and writer, producer, and screenwriter Budd Schulberg (On the Waterfront, A Face in the Crowd) in order to examine the elusive story of Jewish Hollywood’s role in World War II.   Hollywood’s Unofficial Film Corps shows that Rosten, Schulberg, and others—including Garson Kanin, George Cukor, Stanley Kramer, and Jules Buck—created movies that were both entertaining and politically expeditious for US war aims. At the same time, in an effort to unify the American public, they avoided focusing on the fate of European Jews, even while addressing racism and antisemitism in the United States. Jewish themes were often downplayed, and Jewish directors, writers, and other contributors frequently went uncredited. 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From the First World War until the rise of Hitler, the Zionist movement encouraged Jews to celebrate aspects of a reborn Jewish nationality and sovereignty in Palestine, while at the same time acknowledging that their members would mostly 'stay put' and strive toward acculturation in their current homelands. The growth of a Zionist consciousness among Western Jews is juxtaposed with the problematic nurturing of the movement's institutions, as Zionism was consumed increasingly by fundraising. In the 1930s, Zionist images assumed a progressively greater share of secular Jewish identity, and Zionism became normalized in the social landscape of Western Jewry, but the organization faltered in translating its popularity into a means of 'saving the Jews' and 'building up' the national home in Palestine.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51283062849809,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51283065274641,"sku":"NIN9780521470872","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52402866487569,"sku":"NLS9780521470872","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0521470870.jpg?v=1751039980"},{"product_id":"western-jewry-and-the-zionist-project-1914-1933-book-michael-berkowitz-9780521894203","title":"Western Jewry and the Zionist Project, 1914-1933","description":"This 1996 study of the Zionist movement in Germany, Britain, and the United States recognizes 'Western Zionism' as a distinctive force. 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