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The comparatively few scholarly works on angels over the last century have typically interpreted them as mere symbols and metaphors: they are said to offer glimpses not of the divine order, but of human desires, anxieties, and ideologies. Angelology has collapsed into anthropology. By contrast, this polemical book argues for the indispensable importance of studying angels as divinely created beings, for theology at large, and for understanding the defining doctrine of monotheistic religions in particular.  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This ambitious and timely book explores a third, more radical possibility in which style operates as a verbal mode of thinking through. Rather than figure thought as primary and pre-verbal, and language as a secondary delivery system, style is conceived here as having the capacity to clarify or generate thinking. The book's generic focus is on non-fiction prose, and it looks across the long nineteenth century.   Leading scholars survey twenty authors to show where writers who have gained reputations as either 'stylists' or as 'thinkers' exploit the interplay between 'the what' and 'the how' of their prose. The study demonstrates how celebrated stylists might, after all, have thoughts worth attending to, and that distinguished thinkers might be enriched for us if we paid more due to their style. More than reversing the conventional categories, this innovative volume shows how 'style' and 'thinking' can be approached as a shared concern. 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