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Since then, as one of Dublin's most iconic buildings, Liberty Hall has cast a personal and political light on the lives of citizens passing below, and formed the backdrop to O'Loughlin's earliest childhood memories.In this remarkable new book - a highly original fusion of poetry, visual images and prose memoirs - Liberty Hall becomes both a real and imaginary space, a physical building and a state of mind in which to be free; a place where the boundaries between verbal and visual, poetry and prose, past and present, city and suburb, local and global, all become fluid. It is a book of numerous journeys: the ritualised crossing of the Liffey from North to South and back again; travels around European cities; and into O'Loughlin's own family history in the first difficult century of the Irish state. 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That is the challenge Jorge Mario Bergoglio faced when he became Pope Francis in March 2013. From the beginning, with his commitment to \"remember the poor,\" Francis embarked on a mission to \"rebrand\" the Church so that it better reflected its founder, Jesus Christ, instead of preserving institutional power and prestige. Amid surprising pronouncements and reforms and a humble and humorous approach to his office, Francis's most surprising strategy may be his decision to leverage a modern innovation that his predecessor, Pope Benedict XVI, had begun to use: a Twitter account with which, for the first time in history, the pope can communicate directly with his global flock. With more than 21 million followers reading Tweets in 9 languages, Francis regularly posts his 140-character (or less) sermons a few times each week. 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