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It also muses on the consequences of our sharing in or witnessing the private or intimate acts of others and our enjoyment of events that often represent a gross break with legal and social mores.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49514128113937,"sku":"GOR008024577","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51422710923537,"sku":"CIN1905674015G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1905674015.jpg?v=1751412812"},{"product_id":"new-queer-cinema-book-michele-aaron-9780813534862","title":"New Queer Cinema","description":"\u003cdiv\u003e \u003cp\u003eCoined in the early 1990s to describe a burgeoning film movement, \"New Queer Cinema\" has turned the attention of film theorists, students, and audiences to the proliferation of intelligent, stylish, and daring work by lesbian and gay filmmakers within independent cinema and to the infiltration of \"queer\" images and themes into the mainstream. Why did this shift take place? Was it political gains, cultural momentum, or market forces that energized the evolution and transformation of this cinematic genre?\u003c\/p\u003e \u003cp\u003e\u003ci\u003eNew Queer Cinema: A Critical Reader\u003c\/i\u003e provides a definitive and highly readable guide to the development of this important and controversial film movement. The volume is divided into four sections: defining \"new queer cinema,\" assessing its filmmakers, examining geographic and national differences, and theorizing spectatorship. Chapters address the work of pivotal directors (such as Todd Haynes and Gregg Araki) and salient films (including \u003ci\u003eParis is Burning\u003c\/i\u003e and \u003ci\u003eBoys Don't Cry\u003c\/i\u003e), as well as unconventional and non-Anglo-American work (experimental filmmaking and third world cinema).\u003c\/p\u003e \u003cp\u003eWith a critical eye to its uneasy relationship to the mainstream, \u003ci\u003eNew Queer Cinema\u003c\/i\u003e explores the aesthetic, sociocultural, political, and, necessarily, commercial investments of the movement. 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Transgressive interpretations of conventional imagery merge with critical considerations of subcultural forms. The topics discussed include male erotic objectification; narcissistic masculinity; male to female transvestism; cyborgs and female desire; body piercing; 'demonic' children in film; queer cinema; vampires in women's fiction;  the cannibal film; cyborgs and necrophiliac desire; AIDS and reincarnation films. The films discussed include Videodrome, Dead Ringers, M. 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But what constituted New Queer Cinema then and now? And was it political gains, cultural momentum or market forces that determined its evolution? New Queer Cinema is divided into sections on the definition, the filmmakers, the geography, and the spectator of New Queer Cinema.  Chapters address the pivotal directors (e.g. Todd Haynes and Gregg Araki) and the salient films (e.g. Paris is Burning and Boys Don't Cry) but also non-mainstream and non-Anglo-American work (e.g. experimental film and third cinema).  With a critical eye to its uneasy relationship to the mainstream, the volume explores the aesthetic, socio-cultural, political and, necessarily, commercial investments of New Queer Cinema. This book, the first full-length study of the subject, offers the definitive guide to New Queer Cinema combining indispensable discussions of its central issues with exciting new work by key writers. 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