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By ranging over writers from Richard Price and Susanna Rowson in the 1790s to Angela Carter and Salman Rushdie at the turn of the twenty-first century, the book argues that America haunts the English literary tradition as a parallel space where ideology and aesthetics are configured differently. Consequently, it suggests, many of the key episodes in British history-parliamentary reform in the 1830s, the imperial designs of the Victorian era, the twentieth-century conflict with fascism, the advance of globalization since 1980-have been shaped by implicit dialogues with American cultural models. 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