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The epic sweep of the text takes us from Babylon to Jerusalem to Rome, and onwards to Apocalypse. It confronts us with the language and symbols of our own culture and the denied demonic feminine. It looks at the angelic work of John Dee and places it in a European eschatology. It delivers a devastating exegesis on the excesses of Aleister Crowley, and unlocks the secrets of 'Waratah Blossoms.' It explains the immolation of the Californian antichrist-superstar Jack Parsons and his relationship with Scientology founder L. Ron Hubbard. There is also a full supporting cast of Solomon, Simon Magus, St John the Divine, Earl Bothwell, the Templars, Mary, the Magdalene and countless others. This is the missing history of the love goddess in the West.  Thirteen essays conclude the book on subjects including: roses, mirror magick, bdsm, aphrodisiac drugs, the information age, love and lust, and the meaning of apocalypse. 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Opening with considerations on the future of witchcraft and its relation to radical ecology, Grey returns to the Babalon Working of Jack Parsons and L. Ron Hubbard, and considers a series of little examined texts from science fiction and the outer fringes of Scientology which form a 'Babalon Apocrypha.' By reading across these sources, the familiar story is revealed to have hidden depths and dimensions. Exploring the role of Antichrist in relation to Parsons and Hubbard, Grey provides insights into the initiatory drama of Thelema: of Satanic rites, Abyss and Angel. The Two Antichrists observes the long shadow cast by the monolith of Scientology, and Parsons' eclipsed sodality The Witchcraft. Looking to the future, he envisions an emergent space witchcraft, infused with the spirit of Do What Thou Wilt.   The book concludes with a series of non-denominational rituals and revised Antichrist workings. 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